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	<title>Zócalo Public SquareSecond Person Plural    &#8211; Zócalo Public Square</title>
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	<link>https://legacy.zocalopublicsquare.org</link>
	<description>Ideas Journalism With a Head and a Heart</description>
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		<title>Second Person Plural</title>
		<link>https://legacy.zocalopublicsquare.org/2013/05/24/second-person-plural/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2013/05/24/second-person-plural/chronicles/poetry/#respond</comments>
		<pubDate>Fri, 24 May 2013 07:01:57 +0000</pubDate>
		<dc:creator>by Randy Cauthen</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[loneliness]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[Randy Cauthen]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=48106</guid>
		<description><![CDATA[<p>A man lives in an old house converted to apartments.<br /> There is still a servants’ staircase, but now it<br /> leads to a blank wall. And the walls are paper,<br /> the ceilings must be crepe paper: every night<br /> the man hears his upstairs neighbor getting it<br /> from somebody, hears her gasping, even hears<br /> her bed squeaking. Midnight, 2 a.m., he gapes<br /> at the ceiling, he almost expects to see<br /> their fluids come suffusing down through<br /> the crepe paper, enough to put out the cigarette<br /> he’s smoking. How they go at it, and how<br /> he admires them: they must know he can hear,<br /> because they must have heard him cursing when he<br /> cracked his shin on the bedpost, they must have heard<br /> him practice his bass. He’s even thought of<br /> serenading them, up through the old ceiling<br /> of the old house, but finally decides not<br /> &#8230;</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2013/05/24/second-person-plural/chronicles/poetry/">Second Person Plural</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>A man lives in an old house converted to apartments.<br />
There is still a servants’ staircase, but now it<br />
leads to a blank wall. And the walls are paper,<br />
the ceilings must be crepe paper: every night<br />
the man hears his upstairs neighbor getting it<br />
from somebody, hears her gasping, even hears<br />
her bed squeaking. Midnight, 2 a.m., he gapes<br />
at the ceiling, he almost expects to see<br />
their fluids come suffusing down through<br />
the crepe paper, enough to put out the cigarette<br />
he’s smoking. How they go at it, and how<br />
he admires them: they must know he can hear,<br />
because they must have heard him cursing when he<br />
cracked his shin on the bedpost, they must have heard<br />
him practice his bass. He’s even thought of<br />
serenading them, up through the old ceiling<br />
of the old house, but finally decides not<br />
to complicate matters. And soon his upstairs<br />
neighbor moves to another state, another<br />
woman replaces her. This new woman has<br />
no lover, all that comes through the ceiling now<br />
is her footsteps and old delta blues, but<br />
every so often at night he hears her cough, not<br />
a smoker’s hack like his own, but a quick<br />
bark, almost like she’s embarrassed. Well, he thinks,<br />
who can blame her with all that old sex<br />
drifting around up there? He imagines her<br />
bolstered up with pillows reading a novel<br />
with the word <em>love</em> in the title. Again he<br />
believes he should play, really shake the old place<br />
so she’ll feel it in her spine, but knows<br />
it will only turn out he won’t be able to say<br />
good morning to her when they meet picking<br />
up the paper. Every night he lies in bed<br />
thinking about these women, the one<br />
loud with her lover, the other holding her<br />
loose fist to her mouth to cough. Which one<br />
makes him feel sadder? It is impossible to say.<br />
He wishes them well, he is embarrassed by<br />
both of them, by himself. In fact, the only<br />
thing he can think of that isn’t embarrassing is<br />
the people who built the now ramshackle<br />
house, the mild pranks the children must have played<br />
on the servants. Maybe the ghosts of children<br />
share his room, maybe they grew up and moved<br />
away, or they may be together still, down<br />
at the wealthy cemetery. The servants<br />
ascend the staircase, up through the paper wall.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2013/05/24/second-person-plural/chronicles/poetry/">Second Person Plural</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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