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	<title>Zócalo Public SquareIf &#8211; Zócalo Public Square</title>
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	<description>Ideas Journalism With a Head and a Heart</description>
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		<title>If</title>
		<link>https://legacy.zocalopublicsquare.org/2013/08/30/if/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2013/08/30/if/chronicles/poetry/#respond</comments>
		<pubDate>Fri, 30 Aug 2013 07:01:47 +0000</pubDate>
		<dc:creator>by Chris Davidson and Aaron Belz</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Aaron Belz]]></category>
		<category><![CDATA[Chris Davidson]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=50464</guid>
		<description><![CDATA[<p>If “alignment of jaws and teeth” is set by<br /> “use [of] cutlery during formative years,”<br /> orthodontics is sisyphean. I’m unhappy<br /> more than I’ll admit, but what’s to blame? What knife and fork cut up the information<br /> fed me, shaping my mind’s jaws and teeth<br /> to bite misaligned, and reinforced in<br /> misalignment by tools I’ve had to use? Our ancestors tore food with incisors,<br /> avoiding the overbite cut meat encourages,<br /> that top-teeth smile regarded as beautiful.<br /> Beauty’s shaped by what we learn to expect. I sat in the chair, pinned there by lamplight<br /> limning all flaws my open mouth availed,<br /> the Dr’s daughter a shadowy blue smock,<br /> beautiful face framed by straight, brown hair. After three years they pulled the braces off.<br /> I ran my tongue cross slick teeth—my smile<br /> now matching that of the woman flossing<br /> bloodless gums, in a frame, near the exit— while &#8230;</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2013/08/30/if/chronicles/poetry/">If</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>If “alignment of jaws and teeth” is set by<br />
“use [of] cutlery during formative years,”<br />
orthodontics is sisyphean. I’m unhappy<br />
more than I’ll admit, but what’s to blame?</p>
<p>What knife and fork cut up the information<br />
fed me, shaping my mind’s jaws and teeth<br />
to bite misaligned, and reinforced in<br />
misalignment by tools I’ve had to use?</p>
<p>Our ancestors tore food with incisors,<br />
avoiding the overbite cut meat encourages,<br />
that top-teeth smile regarded as beautiful.<br />
Beauty’s shaped by what we learn to expect.</p>
<p>I sat in the chair, pinned there by lamplight<br />
limning all flaws my open mouth availed,<br />
the Dr’s daughter a shadowy blue smock,<br />
beautiful face framed by straight, brown hair.</p>
<p>After three years they pulled the braces off.<br />
I ran my tongue cross slick teeth—my smile<br />
now matching that of the woman flossing<br />
bloodless gums, in a frame, near the exit—</p>
<p>while the retainer came two weeks later,<br />
credential signaling completion<br />
and submission, a Boy Scout patch,<br />
wedding ring or steak, rare, ready to eat.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2013/08/30/if/chronicles/poetry/">If</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></content:encoded>
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