Still Life (Mostly Peaches)

Even so, Allison draws the faces
of dead presidents and Margaret a tree, again,
then climbs it, still wearing her socks.
Her mother is shouting up from the ground.
Her mother is always shouting up from the ground.
Curtis burns circles into everything, all that
hard doggy light, all that howling.
In this way we resemble jellyfish.
In this way we resemble the French
who do not speak easily of joy,
preferring it was not terrible.
By the end Cezanne took all the people
out of the painting, which has to be a cure
for something. I still dream of the goat
who leaned closer to try
my red toenails.
I will not draw anything today.
I will pick up something sweet
and eat it.

Jenny Browne is the author of The Second Reason (2007) and At Once (2003), both from the University of Tampa Press. She has received fellowships in creative writing from the Writers’ League of Texas, the Artist Foundation of San Antonio, and the Writer’s Center of Washington D.C. Her work has been featured on public buses in Austin, Texas, in the New York Times “Modern Love” column, and on-stage at the Dallas Museum of Art. She teaches at Trinity University.
*Photo courtesy of pa1nt.
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