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	<title>Zócalo Public SquareThere Was That &#8211; Zócalo Public Square</title>
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	<description>Ideas Journalism With a Head and a Heart</description>
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		<title>There Was That</title>
		<link>https://legacy.zocalopublicsquare.org/2015/03/27/there-was-that/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2015/03/27/there-was-that/chronicles/poetry/#respond</comments>
		<pubDate>Fri, 27 Mar 2015 07:01:34 +0000</pubDate>
		<dc:creator>by George Yatchisin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[Travel]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=59274</guid>
		<description><![CDATA[<p>This canal wasn’t grand but that<br /> didn’t stop you from photographing it<br /> for this was Venice, this was Italy,<br /> Europe, your first time, your honeymoon,<br /> a freight of meaningfulness, like a<br /> swing set burdened with birds in Hitchcock,<br /> a red rain slicker sliding away<br /> from Donald Sutherland, minus the great<br /> sex scene with Julie Christie. Call it<br /> Don’t Touch Now, another harbinger<br /> although it was muggy August and touch seemed<br /> an endless promise easy to forget (you will).<br /> At dawn they’ll deliver the fish to the Locanda Montin<br /> not delicately, Italian sounding guttural<br /> like the boat motor’s chop in the canal.<br /> Now you know the gondoliers only sing<br /> if you pay them and they’ll resent it,<br /> your desire for them to be Vegas or extras<br /> on the RKO Deco set in Top Hat.<br /> Despite all this what wasn’t lovely,<br /> wasn’t &#8230;</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2015/03/27/there-was-that/chronicles/poetry/">There Was That</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>This canal wasn’t grand but that<br />
didn’t stop you from photographing it<br />
for this was Venice, this was Italy,<br />
Europe, your first time, your honeymoon,<br />
a freight of meaningfulness, like a<br />
swing set burdened with birds in Hitchcock,<br />
a red rain slicker sliding away<br />
from Donald Sutherland, minus the great<br />
sex scene with Julie Christie. Call it<br />
Don’t Touch Now, another harbinger<br />
although it was muggy August and touch seemed<br />
an endless promise easy to forget (you will).<br />
At dawn they’ll deliver the fish to the Locanda Montin<br />
not delicately, Italian sounding guttural<br />
like the boat motor’s chop in the canal.<br />
Now you know the gondoliers only sing<br />
if you pay them and they’ll resent it,<br />
your desire for them to be Vegas or extras<br />
on the RKO Deco set in Top Hat.<br />
Despite all this what wasn’t lovely,<br />
wasn’t hope, wasn’t a kiss that suggested<br />
a sloppier second, wasn’t everything sunk<br />
into the sea where even Venice will end up<br />
if much more slowly, grandly remembered<br />
than a first marriage gone to mirage.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2015/03/27/there-was-that/chronicles/poetry/">There Was That</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></content:encoded>
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