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	<title>Zócalo Public SquareMorning Rush &#8211; Zócalo Public Square</title>
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	<description>Ideas Journalism With a Head and a Heart</description>
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		<title>Morning Rush</title>
		<link>https://legacy.zocalopublicsquare.org/2017/08/11/morning-rush/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2017/08/11/morning-rush/chronicles/poetry/#respond</comments>
		<pubDate>Fri, 11 Aug 2017 07:01:52 +0000</pubDate>
		<dc:creator>By Jed Myers</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=87430</guid>
		<description><![CDATA[<p>Now we’re fissioned—it releases<br /> enough desire to fuel the empire.<br /> That’s my smudged vision on this frost-fogged, steamed street<br /> at night’s end in these bright overhead<br /> cones and sweeping twin beams. We are a flood of particles<br /> stripped from our kin clusters,<br /> spilled bridge elevator tunnel, sluiced river of want, huffing<br /> to fill our slots and seats, each<br /> thriver promised the dollars good for what? Pacifiers<br /> to soothe our atomized selves—good<br /> for ales or amaros, sliders or oysters, smokes blades benzos syringes,<br /> needles made to pierce or to paint,<br /> private conquest games thumb-click joystick semiautomatic, videoed<br /> nakedness draped in latex to lace—<br /> we’re held in the charged field predawn till after dusk, grinning<br /> through gritted teeth. Seems a choice<br /> to each, fingers a blur at the keys, eyes tracking the customer’s,<br /> long as we’re granted our own<br /> intelligent phone and it lights &#8230;</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2017/08/11/morning-rush/chronicles/poetry/">Morning Rush</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>Now we’re fissioned—it releases<br />
enough desire to fuel the empire.<br />
That’s my smudged vision on this</p>
<p>frost-fogged, steamed street<br />
at night’s end in these bright overhead<br />
cones and sweeping twin beams.</p>
<p>We are a flood of particles<br />
stripped from our kin clusters,<br />
spilled bridge elevator tunnel,</p>
<p>sluiced river of want, huffing<br />
to fill our slots and seats, each<br />
thriver promised the dollars</p>
<p>good for what? Pacifiers<br />
to soothe our atomized selves—good<br />
for ales or amaros, sliders or oysters, </p>
<p>smokes blades benzos syringes,<br />
needles made to pierce or to paint,<br />
private conquest games thumb-click </p>
<p>joystick semiautomatic, videoed<br />
nakedness draped in latex to lace—<br />
we’re held in the charged field</p>
<p>predawn till after dusk, grinning<br />
through gritted teeth. Seems a choice<br />
to each, fingers a blur at the keys, </p>
<p>eyes tracking the customer’s,<br />
long as we’re granted our own<br />
intelligent phone and it lights </p>
<p>to our touch, our aloneness isn’t<br />
bottomless, and we have our series<br />
to stream, whose company sings </p>
<p>in our catacombs. It occurs to me<br />
that the empire is alive inside<br />
our anatomy. We’re subdivided, </p>
<p>as an old house turned apartments—<br />
the abstinent grouch upstairs<br />
who stomps and pounds <i>Shut up!</i>, </p>
<p>and the hedonic wrestlers below<br />
who don’t care if the jerk can’t sleep<br />
and must rise in the dark to shoot </p>
<p>through the tube to work. And what<br />
do I note, or invent, in the straight<br />
faces cresting the exit steps?</p>
<p>They press past on the sidewalk,<br />
thin air partitions between.<br />
We’re paved apart from the dirt </p>
<p>and clothed in tones we paint cars<br />
and kitchens, kept driven without<br />
crosstalk or recognition, and swept</p>
<p>in this diurnal rhythm, task<br />
to permitted intermission and back.<br />
It’s a hard vision. Then again</p>
<p>some of us winter well, suspended<br />
in this separateness—I saw you<br />
surface close to mercurial dawn,   </p>
<p>into a school of coats, in a rose<br />
flush of exertion. It was eons<br />
ago, yesterday. Do you know</p>
<p>how dangerous it’s become to loiter<br />
at subway exits? I’ve got to<br />
have my brain on the 39th floor,  </p>
<p>at the monitor in five minutes.<br />
And if before I turn I see you,<br />
one of the human ions in the flux</p>
<p>up from the underground, then?<br />
That might be all the enmeshment<br />
we get. A trace of heart’s witness </p>
<p>off like a note corked in a flask<br />
across the turbulence. I wouldn’t<br />
dive through the flood to face you.</p>
<p>But I want you to know you were seen—<br />
the blood in your cheeks, a defiant<br />
innocence I’ll daydream I saw</p>
<p>in the soft set of your lips, the unspent<br />
reserve of your love I was sure of<br />
without one spark of evidence.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2017/08/11/morning-rush/chronicles/poetry/">Morning Rush</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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