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	<title>Zócalo Public SquareFirst New Year (Taos, New Mexico) &#8211; Zócalo Public Square</title>
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	<description>Ideas Journalism With a Head and a Heart</description>
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		<title>First New Year (Taos, New Mexico)</title>
		<link>https://legacy.zocalopublicsquare.org/2018/12/30/first-new-year-taos-new-mexico/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2018/12/30/first-new-year-taos-new-mexico/chronicles/poetry/#respond</comments>
		<pubDate>Sun, 30 Dec 2018 08:01:02 +0000</pubDate>
		<dc:creator>by Colette LaBouff</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=98974</guid>
		<description><![CDATA[<p>The mountain I hadn’t met lamented. It was <i>you’re welcome; I’m sorry you don’t belong</i>. It stood, said <i>you don’t fit</i>—sun hitting its middle—<i>but stay</i>. Far off, Gladys Knight (because songs appear without regard for anyone’s story). And it was all Pips: background as clarity, cry like a train-whistle, fist up. Here, the double pane reflects the mountain every bird aims for. <i>Good god, little finch. Stunned only</i>, I ask? <i>Surprised</i>, I say? <i>Knocked out</i>, I hope? Had they language it would be: <i>ask me later</i>. Had I language for them: <i>tell me now and get it over</i> like some Patsy Cline song I can’t abide. Where leaves were. A season I lost small, beat-up jewels. Ruby circled down the drain and pearl fell in snow. Took four weeks to melt and by then the pearl was dirt, seed for alley-weeds. It went like this; roof nail in a tire every week for three. Skin on both thumbs split all &#8230;</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2018/12/30/first-new-year-taos-new-mexico/chronicles/poetry/">First New Year (Taos, New Mexico)</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>The mountain I hadn’t met lamented.  It was <i>you’re welcome; I’m sorry you don’t belong</i>. It stood, said <i>you don’t fit</i>—sun hitting its middle—<i>but stay</i>.  Far off, Gladys Knight (because songs appear without regard for anyone’s story). And it was all Pips: background as clarity, cry like a train-whistle, fist up.  </p>
<p>Here, the double pane reflects the mountain every bird aims for. <i>Good god, little finch. Stunned only</i>, I ask? <i>Surprised</i>, I say? <i>Knocked out</i>, I hope? Had they language it would be: <i>ask me later</i>. Had I language for them: <i>tell me now and get it over</i> like some Patsy Cline song I can’t abide.</p>
<p>Where leaves were. </p>
<p>A season I lost small, beat-up jewels. Ruby circled down the drain and pearl fell in snow. Took four weeks to melt and by then the pearl was dirt, seed for alley-weeds. It went like this; roof nail in a tire every week for three. Skin on both thumbs split all winter. On the road, my desk transported to a new house in the old truck in front of me; my papers flew like trash into the avenue and front yards of strangers. The parade of change.  </p>
<p>Where leaves were. When were leaves? What keeps?</p>
<p>Four. Vinyl spun in sun of the southeast window; I was told to dress myself. I heard this as <i>get ready to leave</i>. Later, newly married and talking about pies. My aunt with cigarette, an extension of her arm, shook her head: <i>you call me when you’re done playing Betty Crocker</i>. Later, when I cried, he used to say <i>this is what’s for dinner</i>. Or, <i>Bob’s your uncle</i> when something was fixed. Or <I>I’m your huckleberry</i> when I couldn’t lift or carry a box. Everything else, after that, it broke at once. Finally, I drove through a canyon. Pips were on the side, knees bent, face forward to utter the truth. Santa Fe. Española. Velarde and Pilar. Curves closed off the plains behind. </p>
<p>New year under the mountain: its relief and it’s relief. In its cradle, the best living room dance. Star and backup, be the whole quintet and make the train-whistle sound when you sing.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2018/12/30/first-new-year-taos-new-mexico/chronicles/poetry/">First New Year (Taos, New Mexico)</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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