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	<title>Zócalo Public SquareCarolina clay &#8211; Zócalo Public Square</title>
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		<title>Carolina clay</title>
		<link>https://legacy.zocalopublicsquare.org/2019/05/17/carolina-clay/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2019/05/17/carolina-clay/chronicles/poetry/#respond</comments>
		<pubDate>Fri, 17 May 2019 07:01:21 +0000</pubDate>
		<dc:creator>by Ruth Dickey</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Friday Poem]]></category>
		<category><![CDATA[the american south]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=102234</guid>
		<description><![CDATA[<p>Our house leaned and pitched in strong winds. The tin roof<br /> a watering can for black snakes wintering in the attic; the kitchen ceiling had one-tile-in-from-the-wall painted<br /> for ten years, a racing stripe for our speedy remodeling. The well water turned brown when it rained; Mom made koolaid<br /> in fruit punch or grape to quell our suspicion. Twenty years later, when we finally moved, the well was condemned, declared <i>unfit<br /> for human consumption</i>, and that was the punch line to the World’s Funniest Joke; we laughed for days. And still,<br /> I remember standing in sneakers over the furnace grate on cold January mornings, smelling rubber adhering to metal,<br /> air billowing up my holly hobby nightgown, making a warm tent I inhabited; the song of approaching rain dancing tin roof jigs;<br /> the fascination of bouncing ceilings as someone crossed the upstairs floor. Fringed with peonies and hydrangeas,<br /> sways and leanings made a mansion &#8230;</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2019/05/17/carolina-clay/chronicles/poetry/">Carolina clay</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>Our house leaned and pitched in strong winds.  The tin roof<br />
a watering can for black snakes wintering in the attic;</p>
<p>the kitchen ceiling had one-tile-in-from-the-wall painted<br />
for ten years, a racing stripe for our speedy remodeling.</p>
<p>The well water turned brown when it rained; Mom made koolaid<br />
in fruit punch or grape to quell our suspicion. Twenty years later, </p>
<p>when we finally moved, the well was condemned, declared <i>unfit<br />
for human consumption</i>, and that was the punch line </p>
<p>to the World’s Funniest Joke; we laughed for days. And still,<br />
I remember standing in sneakers over the furnace grate </p>
<p>on cold January mornings, smelling rubber adhering to metal,<br />
air billowing up my holly hobby nightgown, making a warm tent </p>
<p>I inhabited; the song of approaching rain dancing tin roof jigs;<br />
the fascination of bouncing ceilings as someone crossed </p>
<p>the upstairs floor.  Fringed with peonies and hydrangeas,<br />
sways and leanings made a mansion in maple, magnolia</p>
<p>more alive than any sturdier structure. </p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2019/05/17/carolina-clay/chronicles/poetry/">Carolina clay</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></content:encoded>
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