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	<title>Zócalo Public SquareThe House at Christmas &#8211; Zócalo Public Square</title>
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		<title>The House at Christmas</title>
		<link>https://legacy.zocalopublicsquare.org/2021/12/24/maureen-boyle/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2021/12/24/maureen-boyle/chronicles/poetry/#respond</comments>
		<pubDate>Fri, 24 Dec 2021 08:01:15 +0000</pubDate>
		<dc:creator>by Maureen Boyle </dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Friday Poem]]></category>
		<category><![CDATA[poet]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=124235</guid>
		<description><![CDATA[<p>Its wide dark eyes–<br /> the picture windows of a 60s bungalow &#8211;<br /> reflect rooms in black lakes<br /> cold and mirrored as though slick<br /> with tears and ice. Early, before the day dies,<br /> stark skies will light them,<br /> black trees against the yellows<br /> and a fierce fire sunken<br /> beyond the mountains. Inside<br /> &#8194;&#8194;&#8194;&#8194;&#8194;lamps blind and still the fear. &#160; This is a house full of secrets and surprises.<br /> One year my father rises in the dawn to assemble<br /> a green wrought-iron swing<br /> he somehow dug into frozen ground<br /> so that we’d find it in the morning<br /> poised and ready. The tree goes in the sitting room where<br /> the piano is.  All sound softened<br /> by thick carpet under our feet,<br /> red velvet deep in the piano’s workings,<br /> green felt around the record player’s lid.<br /> The needle dropping into a groove<br /> whispers. The &#8230;</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2021/12/24/maureen-boyle/chronicles/poetry/">The House at Christmas</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>Its wide dark eyes–<br />
the picture windows of a 60s bungalow &#8211;<br />
reflect rooms in black lakes<br />
cold and mirrored as though slick<br />
with tears and ice.</p>
<p>Early, before the day dies,<br />
stark skies will light them,<br />
black trees against the yellows<br />
and a fierce fire sunken<br />
beyond the mountains.</p>
<p>Inside<br />
&ensp;&ensp;&ensp;&ensp;&ensp;lamps blind and still the fear.</p>
<p>&nbsp;</p>
<p>This is a house full of secrets and surprises.<br />
One year my father rises in the dawn to assemble<br />
a green wrought-iron swing<br />
he somehow dug into frozen ground<br />
so that we’d find it in the morning<br />
poised and ready.</p>
<p>The tree goes in the sitting room where<br />
the piano is.  All sound softened<br />
by thick carpet under our feet,<br />
red velvet deep in the piano’s workings,<br />
green felt around the record player’s lid.<br />
The needle dropping into a groove<br />
whispers.</p>
<p>The piano is a Bechstein<br />
bought with his first earnings as a young teacher<br />
its ebony frame scandalously shaved<br />
to fit an alcove and on it<br />
a book of carols for children<br />
ordered all the way from Boosey and Hawkes<br />
in London with inked illustrations<br />
in Christmas reds and greens<br />
from which I’ll learn to play</p>
<p><em>We three kings of Orient are<br />
</em><em>Bearing gifts we traverse afar<br />
</em><em>Moor and mountain, field and fountain<br />
</em><em>Following yonder star</em></p>
<p>and the moors, mountains and stars<br />
become those we see from our windows.</p>
<p>The coloured lights of the tree reflect<br />
the eyes of other houses across the river<br />
and in the slats of glass in the china cabinet<br />
the tree is mirrored in an infinite parade of colour<br />
that we wait for every year and love.</p>
<p>All the rest of the year we know<br />
this secret of light is there<br />
and the room seems to hold<br />
the smell of the tree.</p>
<p>On Christmas Eve, my father disappears<br />
on a mission to the village at odd hours,<br />
with parcels or bottles of mineral<br />
and we somehow know<br />
not to ask where he goes.</p>
<p>There is only one warm room<br />
where everyone gathers to watch<br />
the <em>Two Ronnies</em> or <em>Morecombe and Wise<br />
</em>and I like to drift<br />
into the empty cold of other rooms,<br />
that seem more beautiful than usual,<br />
poised still and silent,<br />
like sets for dramas yet to come,<br />
refreshing after the artificial heat<br />
the clarity of their cold a place to think<br />
of new beginnings but with life<br />
noisy and warm nearby.</p>
<p>&nbsp;</p>
<p>And now<br />
when I think of my father at Christmas<br />
the time of year he loved<br />
I imagine him wandering<br />
such stilled cold rooms<br />
while we, the living, laugh so near.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2021/12/24/maureen-boyle/chronicles/poetry/">The House at Christmas</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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