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	<title>Zócalo Public SquareMy Grandmother’s House &#8211; Zócalo Public Square</title>
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		<title>My Grandmother’s House</title>
		<link>https://legacy.zocalopublicsquare.org/2022/05/31/deborah-j-hunter/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2022/05/31/deborah-j-hunter/chronicles/poetry/#respond</comments>
		<pubDate>Tue, 31 May 2022 07:01:14 +0000</pubDate>
		<dc:creator>by Deborah J. Hunter</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[poet]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=128156</guid>
		<description><![CDATA[<p>My grandmother’s house was made of<br /> strong, black coffee cooked in white enamel<br /> on gas burners lit with sturdy kitchen matches<br /> of some unnamed wood with magical sulfur heads<br /> that sparked blue and yellow flame and smelled like a sneeze. It was made of<br /> grape Nehi in returnable bottles,<br /> Quaker Oats, evaporated milk,<br /> pork chops and red eye gravy,<br /> beets picked and pickled by hand,<br /> cracklin’ bread and buttermilk,<br /> wrestling match Saturdays and<br /> Mahalia Jackson Sundays. She decorated it with<br /> peace roses<br /> hens and chicks<br /> portulacas<br /> and zinnias. Pictures on the walls<br /> held up the house:<br /> Jesus with children at his feet,<br /> Jesus at the table of his last supper,<br /> Jesus in the upper room with flaming tongues,<br /> Jesus lingering on the cross;<br /> all the Jesuses with anemic skin and azure eyes<br /> declaring salvation comes from a white &#8230;</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/05/31/deborah-j-hunter/chronicles/poetry/">My Grandmother’s House</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>My grandmother’s house was made of<br />
strong, black coffee cooked in white enamel<br />
on gas burners lit with sturdy kitchen matches<br />
of some unnamed wood with magical sulfur heads<br />
that sparked blue and yellow flame and smelled like a sneeze.</p>
<p>It was made of<br />
grape Nehi in returnable bottles,<br />
Quaker Oats, evaporated milk,<br />
pork chops and red eye gravy,<br />
beets picked and pickled by hand,<br />
cracklin’ bread and buttermilk,<br />
wrestling match Saturdays and<br />
Mahalia Jackson Sundays.</p>
<p>She decorated it with<br />
peace roses<br />
hens and chicks<br />
portulacas<br />
and zinnias.</p>
<p>Pictures on the walls<br />
held up the house:<br />
Jesus with children at his feet,<br />
Jesus at the table of his last supper,<br />
Jesus in the upper room with flaming tongues,<br />
Jesus lingering on the cross;<br />
all the Jesuses with anemic skin and azure eyes<br />
declaring salvation comes from a white man.</p>
<p>I learned,<br />
a brown girl with braids and bow legs,<br />
in the house my grandmother made.<br />
I learned to doubt.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/05/31/deborah-j-hunter/chronicles/poetry/">My Grandmother’s House</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></content:encoded>
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