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	<title>Zócalo Public SquareContagion &#8211; Zócalo Public Square</title>
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		<title>Contagion</title>
		<link>https://legacy.zocalopublicsquare.org/2024/01/19/siobhan-campbell/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2024/01/19/siobhan-campbell/chronicles/poetry/#respond</comments>
		<pubDate>Fri, 19 Jan 2024 08:01:40 +0000</pubDate>
		<dc:creator>by Siobhan Campbell</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[poet]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=140788</guid>
		<description><![CDATA[<p>&#160; When the arena of war shifted to the planet,<br /> when we listened for the scrape of pangolin nails,<br /> the black beat of rhinos, the crex of corncrakes<br /> who would not lay again, I knew the ways<br /> to become a warrior. Taking to social media<br /> I made several different accounts<br /> and watched the <em>likes</em> multiply as cells.<br /> I charged my devices at a public port<br /> though car drivers got angry while waiting.<br /> I slapped Styrofoam cups out of the hands<br /> of strangers. They could thank me later. But all the while, there was an undertow of sadness<br /> as if the worst had already happened and<br /> we lived in another dimension, a matrix if you will,<br /> the simulations so good we think they’re real.<br /> Is that the creak-clack of a beaver dam, you ask,<br /> how high the note of a blue jay’s song? What whimsy<br /> &#8230;</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2024/01/19/siobhan-campbell/chronicles/poetry/">Contagion</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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<p>&nbsp;</p>
<p>When the arena of war shifted to the planet,<br />
when we listened for the scrape of pangolin nails,<br />
the black beat of rhinos, the crex of corncrakes<br />
who would not lay again, I knew the ways<br />
to become a warrior. Taking to social media<br />
I made several different accounts<br />
and watched the <em>likes</em> multiply as cells.<br />
I charged my devices at a public port<br />
though car drivers got angry while waiting.<br />
I slapped Styrofoam cups out of the hands<br />
of strangers. They could thank me later.</p>
<p>But all the while, there was an undertow of sadness<br />
as if the worst had already happened and<br />
we lived in another dimension, a matrix if you will,<br />
the simulations so good we think they’re real.<br />
Is that the creak-clack of a beaver dam, you ask,<br />
how high the note of a blue jay’s song? What whimsy<br />
envelops the wild cow on a moonlit night<br />
to dream into time before? She should not<br />
be there, wild in a docile herd. Yet she hears<br />
the scuttle of information running faster than<br />
the stream, filling up space with its dark matter.<br />
The world used to speak with several different voices.<br />
This one hums. Sourcing/re-sourcing, who knows?</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2024/01/19/siobhan-campbell/chronicles/poetry/">Contagion</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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