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	<title>Zócalo Public SquareGreat White Rocks the F—k out, 1989 &#8211; Zócalo Public Square</title>
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		<title>Great White Rocks the F—k out, 1989</title>
		<link>https://legacy.zocalopublicsquare.org/2024/09/27/ross-white/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2024/09/27/ross-white/chronicles/poetry/#respond</comments>
		<pubDate>Fri, 27 Sep 2024 07:01:12 +0000</pubDate>
		<dc:creator>by Ross White</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[poet]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=145059</guid>
		<description><![CDATA[<p>&#160; Mark Kendall’s fingers slither up the strat’s fretboard<br /> so smooth the sound comes out of a Marshall stack<br /> like butter, and then Audie Desbrow switches<br /> from brush on cymbal to thumping the tom:<br /> now Great White is rocking the f—k out.<br /> Permed hair swings side to side, like they’ve seen<br /> in endless videos of glam bands shredding,<br /> though their sound owes more to blues<br /> than Lemmy or Slash. But the crowd of suburban moms,<br /> teens in black concert shirts, bikers with spider tattoos,<br /> and pool hall burnouts could care less about theatrics—<br /> the flash pots and pyro waterfalls earn no applause—<br /> they just want to sway to gravelly-throated melodies.<br /> This is my first concert, the Patriot Center,<br /> we pounded their cassette in Mike’s mom’s minivan<br /> the whole way here, we’re eighteen rows back,<br /> which still feels close enough to catch a pick<br /> &#8230;</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2024/09/27/ross-white/chronicles/poetry/">Great White Rocks the F—k out, 1989</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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<p>&nbsp;</p>
<p>Mark Kendall’s fingers slither up the strat’s fretboard<br />
so smooth the sound comes out of a Marshall stack<br />
like butter, and then Audie Desbrow switches<br />
from brush on cymbal to thumping the tom:<br />
now Great White is rocking the f—k out.<br />
Permed hair swings side to side, like they’ve seen<br />
in endless videos of glam bands shredding,<br />
though their sound owes more to blues<br />
than Lemmy or Slash. But the crowd of suburban moms,<br />
teens in black concert shirts, bikers with spider tattoos,<br />
and pool hall burnouts could care less about theatrics—<br />
the flash pots and pyro waterfalls earn no applause—<br />
they just want to sway to gravelly-throated melodies.<br />
This is my first concert, the Patriot Center,<br />
we pounded their cassette in Mike’s mom’s minivan<br />
the whole way here, we’re eighteen rows back,<br />
which still feels close enough to catch a pick<br />
if Michael Lardie tosses one away, and at the end<br />
of the night I’ll freeze this moment in time<br />
and Great White will become immortal.<br />
That’s how we think when we’re fourteen<br />
and the volume is turned up loud: what’s come before<br />
and passed was temporary but now, this moment,<br />
the one that had been waiting for me to live it—<br />
even if I can feel the tug of time at my sleeve<br />
I don’t have to believe there’s anything better<br />
than, or after, now. There’s so much I can’t fathom<br />
about the tour bus of time, which idles out back<br />
of the arena, knowing we’ll all have to board<br />
and ride and ride and ride. In fifteen years those guys<br />
on stage will be worn thin with addiction, haunted<br />
by tables blocking the exits of a nightclub on fire,<br />
arthritic and angry and sad. In thirty I’ll slide an old tape,<br />
…<em>Twice Shy</em>, into the deck and give it<br />
thirty seconds before it goes in the trash:<br />
how hollow its keyboards, how meager its bass,<br />
how empty that rasp that once I thought had soul.<br />
I’ll think about all I’ve learned and won’t pine<br />
for a time when the ordinary wonder of youth<br />
seemed so unglamorous I tried to drown it out<br />
with hairspray, double-necked guitars<br />
and gaunt idols in leather pants. But how much can be said<br />
for age and wisdom? My ear still throbs<br />
from the mall piercing kiosk, I’ve had my first sip<br />
of beer, and this is the moment I’ll return to<br />
for the rest of my life. The singer is twitching,<br />
his mic stand holding him up. It&#8217;s the most<br />
rock and roll thing I&#8217;ve seen to date. It&#8217;s cartoonish.<br />
It&#8217;s the most rock and roll thing I&#8217;ll ever see.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2024/09/27/ross-white/chronicles/poetry/">Great White Rocks the F—k out, 1989</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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