A Mexican Cultural Center That Builds Bridges, Not Walls, With the U.S.

Tijuana’s CECUT Draws Southern Californians by Programming with Cross-Border Appeal

Each culture absorbs elements of cultures near and far, but afterward it is characterized by the way in which it incorporates those elements.
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It seems that talking about borders and walls in these times is much more common than talking about bridges, alliances or free trade among the nations of the world.

However, for the city …

In Spain, a Path to Artistic Discovery (on Foot)

A "Grand Tour" Through the Pyrenees Connects Artists and Audiences on a Cultural Pilgrimage

It must not be imagined that a walking tour, as some would have us fancy, is merely a better or worse way of seeing the country. There are many ways …

Arts Organizations Need to Teach Their Audiences Self-Defense

Government Arts Funding Is Vital, and Could Be Zeroed Out. The Threat Should Be Part of the Show.

The engagement that arts institutions need most right now is about their own survival.

I’m glad to see that the many worthy examples of how arts organizations engage the public are …

Bringing Forward Important, if Forgotten, Artists from Deep in the American South

Our Museums Are Filled with Art by the Well-Connected. But We Need to Find the Truly Important Works to Reach Audiences.

What makes some artwork timeless?

History shows that neither high prices at auction nor gallery attendance figures are good predictors of how artists, artworks, and art movements will be viewed in …

Can a Small Slovenian Innovation Democratize the Art World?

A "Tinder for Art" Can Take Power from Critics and Gallerists—and Return It to the Masses

The art trade broadly, and art criticism more specifically, badly need a Reformation. The institutions of art are too much like the medieval Catholic Church.

Just as the Church has always …

Just Leave That Botticelli Near the Bike Rack

"Inside | Out" Makes Art Inescapable by Placing Major Works on the Street. Literally.

The phone rang in the office of Salvador Salort-Pons, then Curator of European Paintings at the Detroit Institute of Arts. “I found a Van Gogh painting outside the public library, …