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	<title>Zócalo Public SquareIran &#8211; Zócalo Public Square</title>
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	<description>Ideas Journalism With a Head and a Heart</description>
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		<title>Our Favorite Public Programs of 2022</title>
		<link>https://legacy.zocalopublicsquare.org/2022/12/28/favorite-events-2022/books/readings/</link>
		<comments>https://legacy.zocalopublicsquare.org/2022/12/28/favorite-events-2022/books/readings/#respond</comments>
		<pubDate>Wed, 28 Dec 2022 08:01:06 +0000</pubDate>
		<dc:creator>Jer Xiong</dc:creator>
				<category><![CDATA[Readings]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[economy]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[musicians]]></category>
		<category><![CDATA[prisons]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[Zócalo Book Prize]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=132739</guid>
		<description><![CDATA[<p>This year on the Zócalo stage, panelists dared us to reimagine home. Showed us that we can build a better America. Reminded us that incarceration is big business. Demonstrated what dissent can look like. And made us realize that even in the darkest of times, there’s power in laughter.</p>
<p>Since 2003, Zócalo Public Square has been on a mission to connect people to ideas and to each other. Whether you visited us in person, streamed our programming live online, or watched on YouTube or Soundcloud later on, thank you for being part of our ongoing experiment to promote public curiosity and dialogue.</p>
<p>Join us as we take a trip down memory lane to relive five events (and one special musical performance) that our staff felt best encapsulated the spirit of 2022. And be sure to subscribe to our newsletter to be the first to learn about our very special, upcoming </p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/28/favorite-events-2022/books/readings/">Our Favorite Public Programs of 2022</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>This year on the Zócalo stage, panelists dared us to reimagine home. Showed us that we can build a better America. Reminded us that incarceration is big business. Demonstrated what dissent can look like. And made us realize that even in the darkest of times, there’s power in laughter.</p>
<p>Since 2003, Zócalo Public Square has been on a mission to connect people to ideas and to each other. Whether you visited us in person, streamed our programming live online, or watched on YouTube or Soundcloud later on, thank you for being part of our ongoing experiment to promote public curiosity and dialogue.</p>
<p>Join us as we take a trip down memory lane to relive five events (and one special musical performance) that our staff felt best encapsulated the spirit of 2022. And be sure to subscribe to our <a href="https://zps.la/newsletter">newsletter</a> to be the first to learn about our very special, upcoming 20th anniversary lineup.</p>
<h3><a href="https://legacy.zocalopublicsquare.org/2022/09/16/humor-and-comedy-make-us-human/events/the-takeaway/">What Can We Laugh About?</a></h3>
<p>Comedy has always been society’s release valve. Which is why we invited political satirist Bassem Youssef, and playwright, actor, and performance artist Kristina Wong to speak about the political and psychological power of humor. In partnership with ASU Gammage, this Zócalo event, moderated by <em>Los Angeles Times</em> columnist Gustavo Arellano, explored comedy’s great potential, and made the case for why the joke can be mightier than the sword.</p>
<p><iframe title="What Can We Laugh About? at Zócalo Public Square" width="920" height="518" src="https://www.youtube.com/embed/53HBPE_Ymzo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
<h3><a href="https://legacy.zocalopublicsquare.org/2022/06/02/heather-mcghee-sum-of-us-zocalo/events/the-takeaway/">Will Americans Ever Be in This Together?</a></h3>
<p>The economist and social policy advocate Heather McGhee offered us a new story of American solidarity during her 2022 Zócalo Book Prize lecture. McGhee was our 12th annual winner for her book <a href="https://legacy.zocalopublicsquare.org/2022/04/25/buy-the-book-2/books/readings/"><em>The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together</em></a>. In prepared remarks and a Q&amp;A with LA84 Foundation president and CEO Renata Simril, she reminded us that everyone loses when we see prosperity and success as a zero-sum game.</p>
<p><iframe title="The 12th Annual Book Prize: Will Americans Ever Be In This Together? at Zócalo Public Square" width="920" height="518" src="https://www.youtube.com/embed/OUj2PopGqC4?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
<h3><a href="https://legacy.zocalopublicsquare.org/2022/03/17/culture-immigrate-diaspora-identity-america/events/the-takeaway/">How Do Homelands Cross Borders?</a></h3>
<p>Can you leave your homeland while keeping your cultural and ethnic identity alive? At this Zócalo/Soraya event, presented in conjunction with a performance of <a href="https://www.thesoraya.org/calendar/details/ragamala-2022">Ragamala Dance Company’s Fires of Varanasi</a>, we asked Ragamala Dance Company’s Ranee Ramaswamy and Aparna Ramaswamy, Science Fiction Poetry Association president and poet Bryan Thao Worra, and deputy director of USC’s Institute of Armenian Studies Shushan Karapetian to reflect on the pain and promise of being a member of a diaspora in America.</p>
<p><iframe title="How Do Homelands Cross Borders? at Zócalo Public Square" width="920" height="518" src="https://www.youtube.com/embed/eaIuLw0_QWY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
<h3><a href="https://legacy.zocalopublicsquare.org/2022/04/08/prison-close-rural-communities/events/the-takeaway/">What Would the End of Mass Incarceration Mean for Prison Towns? with Keri Blakinger</a></h3>
<p>Susanville, California, is one of many rural communities whose economic survival is currently tethered to incarceration. Which is why the city sued the state this year to avoid having its prison shut down. To understand the link between prisons and rural economies, we assembled Lassen Community College president Trevor Albertson, Parlier mayor and retired correctional officer Alma Beltran, and University of Wisconsin sociologist John M. Eason, author of <em>Big House on the Prairie: Rise of the Rural Ghetto and Prison Proliferation,</em> to speak at this Zócalo/California Wellness Foundation event in Susanville. Moderated by journalist Keri Blakinger, the discussion explored how prison towns came to be, and how they might imagine new futures.</p>
<p><iframe loading="lazy" title="What Would The End Of Mass Incarceration Mean For Prison Towns? at Zócalo Public Square" width="920" height="518" src="https://www.youtube.com/embed/fNRPbR2iL4s?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
<h3><a href="https://legacy.zocalopublicsquare.org/2022/12/07/feminist-uprising-iran/events/the-takeaway/">How Can Women and Girls Win in Iran?</a></h3>
<p>Ongoing unrest in Iran, incited by the death of a young Kurdish woman detained by Iranian authorities for supposedly violating state dress laws, has become one of the top stories of 2022. For this Zócalo event, co-presented with the Goldhirsh Foundation with support by Pedram Salimpour, and moderated by author Porochista Khakpour, we invited Iran analyst Holly Dagres, artist Sahar Ghorishi, and anthropologist Pardis Mahdavi to discuss how months of mass protests have created a new movement—and what the world can learn from it.</p>
<p><iframe loading="lazy" title="How Can Women and Girls Win in Iran? at Zócalo Public Square" width="920" height="518" src="https://www.youtube.com/embed/2ellnjPCsqk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
<h3><a href="https://legacy.zocalopublicsquare.org/2022/04/29/the-immigrants-who-composed-los-angeles/events/the-takeaway/">A Special Zócalo Music Presentation: How Immigrants Composed L.A.</a></h3>
<p>A first for Zócalo: A string quartet from the Los Angeles Opera visited the Public Square. In the historic lobby of the ASU California Center at the Herald Examiner building, musicians Evgeny Tonkha, Roberto Cani, Ana Landauer, and Erik Rynearson performed to a packed house, bringing the music of L.A.’s immigrant composers to life during this special Zócalo/Artistic Soirées event, presented in partnership with ASU Cronkite School of Journalism and Mass Communication.</p>
<p><iframe loading="lazy" title="A Special Zócalo Music Presentation: How Immigrants Composed L.A. at Zócalo Public Square" width="920" height="518" src="https://www.youtube.com/embed/aQ8fGG0uBh0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/28/favorite-events-2022/books/readings/">Our Favorite Public Programs of 2022</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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		<item>
		<title>Iranian Artist Sahar Ghorishi</title>
		<link>https://legacy.zocalopublicsquare.org/2022/12/09/iranian-artist-sahar-ghorishi/personalities/in-the-green-room/</link>
		<comments>https://legacy.zocalopublicsquare.org/2022/12/09/iranian-artist-sahar-ghorishi/personalities/in-the-green-room/#respond</comments>
		<pubDate>Fri, 09 Dec 2022 17:25:45 +0000</pubDate>
		<dc:creator>Jer Xiong</dc:creator>
				<category><![CDATA[In the Green Room]]></category>
		<category><![CDATA[human rights]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[women's rights]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=132403</guid>
		<description><![CDATA[<p>Sahar Ghorishi is an Iranian multidisciplinary artist based in London and Los Angeles. The founder of a creative directing platform Journey of/to Dawn, she is a resident artist at the Collective for Black Iranians. Before joining us as a panelist for “How Can Women and Girls Win in Iran?,” a Zócalo event co-presented with the Goldhirsh Foundation and with generous support from Pedram Salimpour, Ghorishi spoke with us in the green room about songs of the revolution, memes, and being a lush human being.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/09/iranian-artist-sahar-ghorishi/personalities/in-the-green-room/">Iranian Artist Sahar Ghorishi</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p><strong>Sahar Ghorishi</strong> is an Iranian multidisciplinary artist based in London and Los Angeles. The founder of a creative directing platform Journey of/to Dawn, she is a resident artist at the Collective for Black Iranians. Before joining us as a panelist for “<a href="https://legacy.zocalopublicsquare.org/event/how-women-and-girls-win-iran/">How Can Women and Girls Win in Iran?</a>,” a Zócalo event co-presented with the Goldhirsh Foundation and with generous support from Pedram Salimpour, Ghorishi spoke with us in the green room about songs of the revolution, memes, and being a lush human being.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/09/iranian-artist-sahar-ghorishi/personalities/in-the-green-room/">Iranian Artist Sahar Ghorishi</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></content:encoded>
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		<title>Author Porochista Khakpour</title>
		<link>https://legacy.zocalopublicsquare.org/2022/12/09/author-porochista-khakpour/personalities/in-the-green-room/</link>
		<comments>https://legacy.zocalopublicsquare.org/2022/12/09/author-porochista-khakpour/personalities/in-the-green-room/#respond</comments>
		<pubDate>Fri, 09 Dec 2022 08:01:44 +0000</pubDate>
		<dc:creator>Jer Xiong</dc:creator>
				<category><![CDATA[In the Green Room]]></category>
		<category><![CDATA[human rights]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[women's rights]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=132401</guid>
		<description><![CDATA[<p>Porochista Khakpour is the author of several books, including <em>The Last Illusion</em>, <em>Brown Album</em>, and <em>Sick: A Life of Lyme, Love, Illness, and Addiction</em>. She is senior editor at the <em>Los Angeles Review of Books </em>and contributing editor at the <em>Evergreen Review</em>. Before moderating a panel for “How Can Women and Girls Win in Iran?,” the Zócalo event co-presented with Goldhirsh Foundation and with generous support from Pedram Salimpour, she chatted with us about her favorite places to write, the café she frequented in high school to play chess and argue with dirty old men, and her upcoming book, <em>Tehrangeles</em>.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/09/author-porochista-khakpour/personalities/in-the-green-room/">Author Porochista Khakpour</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p><strong>Porochista Khakpour</strong> is the author of several books, including <em>The Last Illusion</em>, <em>Brown Album</em>, and <em>Sick: A Life of Lyme, Love, Illness, and Addiction</em>. She is senior editor at the <em>Los Angeles Review of Books </em>and contributing editor at the <em>Evergreen Review</em>. Before moderating a panel for “<a href="https://legacy.zocalopublicsquare.org/event/how-women-and-girls-win-iran/" target="_blank" rel="noopener">How Can Women and Girls Win in Iran?</a>,” the Zócalo event co-presented with Goldhirsh Foundation and with generous support from Pedram Salimpour, she chatted with us about her favorite places to write, the café she frequented in high school to play chess and argue with dirty old men, and her upcoming book, <em>Tehrangeles</em>.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/09/author-porochista-khakpour/personalities/in-the-green-room/">Author Porochista Khakpour</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Anthropologist Pardis Mahdavi</title>
		<link>https://legacy.zocalopublicsquare.org/2022/12/09/anthropologist-pardis-mahdavi/personalities/in-the-green-room/</link>
		<comments>https://legacy.zocalopublicsquare.org/2022/12/09/anthropologist-pardis-mahdavi/personalities/in-the-green-room/#respond</comments>
		<pubDate>Fri, 09 Dec 2022 08:01:43 +0000</pubDate>
		<dc:creator>Jer Xiong</dc:creator>
				<category><![CDATA[In the Green Room]]></category>
		<category><![CDATA[human rights]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[women's rights]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=132405</guid>
		<description><![CDATA[<p>Pardis Mahdavi is an anthropologist and provost and executive vice president of the University of Montana. Her academic career has focused on diversity, migration, sexuality, and human rights. Before sitting on a panel for “How Can Women and Girls Win in Iran?,” the Zócalo event co-presented with Goldhirsh Foundation and with generous support from Pedram Salimpour, she chatted with us about what’s on her Spotify Wrapped, her favorite Persian dish, and her horse, Caspian.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/09/anthropologist-pardis-mahdavi/personalities/in-the-green-room/">Anthropologist Pardis Mahdavi</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p><strong>Pardis Mahdavi </strong>is an anthropologist and provost and executive vice president of the University of Montana. Her academic career has focused on diversity, migration, sexuality, and human rights. Before sitting on a panel for “<a href="https://legacy.zocalopublicsquare.org/event/how-women-and-girls-win-iran/" target="_blank" rel="noopener">How Can Women and Girls Win in Iran?</a>,” the Zócalo event co-presented with Goldhirsh Foundation and with generous support from Pedram Salimpour, she chatted with us about what’s on her Spotify Wrapped, her favorite Persian dish, and her horse, Caspian.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/09/anthropologist-pardis-mahdavi/personalities/in-the-green-room/">Anthropologist Pardis Mahdavi</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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		</item>
		<item>
		<title>Atlantic Council’s Holly Dagres</title>
		<link>https://legacy.zocalopublicsquare.org/2022/12/09/atlantic-council-holly-dagres/personalities/in-the-green-room/</link>
		<comments>https://legacy.zocalopublicsquare.org/2022/12/09/atlantic-council-holly-dagres/personalities/in-the-green-room/#respond</comments>
		<pubDate>Fri, 09 Dec 2022 08:01:04 +0000</pubDate>
		<dc:creator>Jer Xiong</dc:creator>
				<category><![CDATA[In the Green Room]]></category>
		<category><![CDATA[human rights]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[women's rights]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=132396</guid>
		<description><![CDATA[<p>Holly Dagres is an Iranian American analyst and commentator on Middle East affairs with a focus on Iran. Currently a senior fellow at the Atlantic Council, she has written for numerous publications, including <em>Foreign Policy</em>, <em>TIME</em>, and the <em>Washington Post.</em> Before joining us as a panelist for “How Can Women and Girls Win in Iran?,” a Zócalo event co-presented with the Goldhirsh Foundation and with generous support from Pedram Salimpour, Dagres joined us in the green room to chat about pop star ambitions, Gen Z activists, and her message to Iranian protestors.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/09/atlantic-council-holly-dagres/personalities/in-the-green-room/">Atlantic Council’s Holly Dagres</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p><strong>Holly Dagres</strong> is an Iranian American analyst and commentator on Middle East affairs with a focus on Iran. Currently a senior fellow at the Atlantic Council, she has written for numerous publications, including <em>Foreign Policy</em>, <em>TIME</em>, and the <em>Washington Post.</em> Before joining us as a panelist for “<a href="https://legacy.zocalopublicsquare.org/event/how-women-and-girls-win-iran/" target="_blank" rel="noopener">How Can Women and Girls Win in Iran?</a>,” a Zócalo event co-presented with the Goldhirsh Foundation and with generous support from Pedram Salimpour, Dagres joined us in the green room to chat about pop star ambitions, Gen Z activists, and her message to Iranian protestors.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/09/atlantic-council-holly-dagres/personalities/in-the-green-room/">Atlantic Council’s Holly Dagres</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></content:encoded>
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		<title>A Feminist-Led Uprising Brings the World to Iran&#8217;s Fight</title>
		<link>https://legacy.zocalopublicsquare.org/2022/12/07/feminist-uprising-iran/events/the-takeaway/</link>
		<comments>https://legacy.zocalopublicsquare.org/2022/12/07/feminist-uprising-iran/events/the-takeaway/#respond</comments>
		<pubDate>Thu, 08 Dec 2022 00:00:57 +0000</pubDate>
		<dc:creator>by Talib Jabbar</dc:creator>
				<category><![CDATA[The Takeaway]]></category>
		<category><![CDATA[human rights]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[women's rights]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=132335</guid>
		<description><![CDATA[<p>Last night, a quartet of Iranian women took the Zócalo stage to discuss the uprising in Iran, where a general strike has entered its third day and protests persist after nearly three months. Co-presented with the Goldhirsh Foundation and with generous support from Pedram Salimpour, “How Can Women and Girls Win in Iran?” brought Atlantic Council senior fellow Holly Dagres, artist Sahar Ghorishi, and anthropologist Pardis Mahdavi to ASU California Center in downtown Los Angeles. The event was moderated by author Porochista Khakpour.</p>
<p>Khakpour jumped in, asking Dagres to share some words about video compilations she put together of content Iranians had posted online. One featured 16-year-old vlogger Sarina Esmailzadeh living her life as a teenager—cooking and singing along to pop songs—and calling for more freedom. “We’ve also seen those in Los Angeles enjoying life to the fullest,” she says in Farsi in one clip, alluding to the way social </p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/07/feminist-uprising-iran/events/the-takeaway/">A Feminist-Led Uprising Brings the World to Iran&#8217;s Fight</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>Last night, a quartet of Iranian women took the Zócalo stage to discuss the uprising in Iran, where a general strike has entered its third day and protests persist after nearly three months. Co-presented with the Goldhirsh Foundation and with generous support from Pedram Salimpour, “<a href="https://legacy.zocalopublicsquare.org/event/how-women-and-girls-win-iran/" target="_blank" rel="noopener">How Can Women and Girls Win in Iran?</a>” brought Atlantic Council senior fellow Holly Dagres, artist Sahar Ghorishi, and anthropologist Pardis Mahdavi to ASU California Center in downtown Los Angeles. The event was moderated by author Porochista Khakpour.</p>
<p>Khakpour jumped in, asking Dagres to share some words about video compilations she put together of content Iranians had posted online. One featured 16-year-old vlogger Sarina Esmailzadeh living her life as a teenager—cooking and singing along to pop songs—and calling for more freedom. “We’ve also seen those in Los Angeles enjoying life to the fullest,” she says in Farsi in one clip, alluding to the way social media has connected her generation. “Freedom is loading.” Esmailzadeh was beaten to death by police forces while protesting in September.</p>
<p>“Social media is the only way for Iranians to be heard by the world,” Dagres said. Drawing on <a href="https://www.atlanticcouncil.org/in-depth-research-reports/report/iranians-on-socialmedia/">her research</a>, she discussed how social media is used not only to document human rights abuses, but also as an accountability tool, to mock officials through satire, and draw attention to issues through hashtags. And because Iranians must make deliberate use of tech tools such as VPNs to circumvent the state’s control over the internet, Dagres explained that “what you see coming online, it’s because they want their voices to be heard.”</p>
<p>The current movement is a “social media uprising,” Dagres said, sparked by hashtags and viral images of a comatose Jîna Mahsa Amini, the 22-year-old Kurdish Iranian woman who died in state custody after eyewitnesses reported seeing her beaten by the Guidance Patrol also known as the “morality police.” That this movement is populated by the younger, born-digital Generation Z is of import, Dagres said. “They’re not going to settle and accept the living standards. They don’t want this for their future.”</p>
<div class="pullquote">All four panelists were in consensus that throughout the eras and various movements in Iran’s history, women led the charge.</div>
<p>The current movement is a multigenerational one, too, Mahdavi pointed out. While before there were the “children of the revolution,” who came of age after the 1979 Islamic Revolution and protested during 2009’s Green Movement, now there are the “children of the resistance.” Mahdavi noted that she sees schoolkids her daughter’s age bravely singing anthems, tearing pages out of textbooks, and saying “enough is enough”; they are supported by older generations. “They’ve inherited our intergenerational trauma and our intergenerational strength.”</p>
<div id="attachment_133201" style="width: 610px" class="wp-caption aligncenter"><a href="https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-scaled.jpg"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-133201" class="wp-image-133201 size-large" src="https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-600x438.jpg" alt="" width="600" height="438" srcset="https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-600x438.jpg 600w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-300x219.jpg 300w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-768x560.jpg 768w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-250x182.jpg 250w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-440x321.jpg 440w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-305x222.jpg 305w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-634x462.jpg 634w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-963x702.jpg 963w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-260x190.jpg 260w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-820x598.jpg 820w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-1536x1120.jpg 1536w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-2048x1493.jpg 2048w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-411x300.jpg 411w, https://legacy.zocalopublicsquare.org/wp-content/uploads/2023/01/Visual-Note-Iran-682x497.jpg 682w" sizes="auto, (max-width: 600px) 100vw, 600px" /></a><p id="caption-attachment-133201" class="wp-caption-text">By Soobin Kim.</p></div>
<p>In addition to the multigenerational element of the current uprising, it is important to center minorities “at the forefront” in the struggle, Ghorishi said. Citing Iran’s great diversity, she uses her art as revolution, and to bring attention to minoritized voices—of Kurds, LGBTQI+ people, and people with disabilities. “It is these people who are fighting,” she said. Khakpour agreed, “There’s a really inspiring language of inclusivity now that I feel personally has been missing a lot in different eras.”</p>
<p>All four panelists were in consensus that throughout the eras and various movements in Iran’s history, women led the charge. Mahdavi, partly responding to Dagres’ point about new media, noted that during the Islamic Revolution women smuggled in cassette tape recordings from an exiled Khomeini to spread the gospel of the revolution. Women, too, were at the forefront of the constitutional revolution in the first decade of the 20th century.</p>
<p>As the conversation came to a close, questions from both the online chat and in-person audience prompted the panelists to draw parallels to activism here in the U.S. Mahdavi urged people to think about the transnational context and how the seeds of social movements inform one another like “roots and branches strengthening each other.” She has heard from Iranians that BLM and the #MeToo movements, for example, were formative in helping find their voice and courage. Viral images of police brutality are another parallel. Mahdavi, too, brought up the notion of justice feminism—a topic she discussed as part of <a href="https://legacy.zocalopublicsquare.org/2021/03/09/transnational-womens-movements/events/the-takeaway/" target="_blank" rel="noopener">a 2021 Zócalo event</a> on transnational women’s movements—which brings forward the idea of feminism’s intersectional roots and offers a means to share strategies across movements that can reverberate across the globe.</p>
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<p>A final question from an in-person audience member prodded the panel to imagine what would happen if there were regime change in Iran from these protests: Then what? Who will our leaders be? Dagres took this one, noting Iran’s highly educated population and their experience with democratic processes like voting. “Don’t underestimate the people of Iran,” she said, “Just because [the movement] is leaderless doesn’t mean it’s meaningless.”</p>
<p>Just before the panelists left the stage, Ghorishi shared a somber and sobering slideshow that she and some collaborators had made to highlight the faces of those who had been killed during the uprising thus far. The faces and names of these mostly young protesters moved across the screen in memoriam. And throughout the evening, shows of solidarity—from the panelists, from the online chat, during the reception, and on a small altar that Ghorishi assembled outside the room dedicated to political prisoners, “freedom fighters,” and the rallying cry of the movement: “Women, Life, Freedom.”</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/07/feminist-uprising-iran/events/the-takeaway/">A Feminist-Led Uprising Brings the World to Iran&#8217;s Fight</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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		<title>Iran’s New Revolutionary Figure Is Feminist</title>
		<link>https://legacy.zocalopublicsquare.org/2022/12/05/iran-new-revolutionary-figure-feminist/ideas/essay/</link>
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		<pubDate>Mon, 05 Dec 2022 08:01:24 +0000</pubDate>
		<dc:creator>by Catherine Sameh</dc:creator>
				<category><![CDATA[Essay]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[Islam]]></category>
		<category><![CDATA[Tehran]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=132242</guid>
		<description><![CDATA[<p>The feminist uprising in Iran—sparked by the beating, arrest, and death in police custody of Mahsa (also known by Jîna) Amini, a young Kurdish Iranian woman accused of “improper hijab”—is generating previously unimagined ideas, images, and possibilities. The current movement, led by women and girls, has forced us all to rethink the glorified figure of the revolutionary as a militant, often militarized, and individual masculine subject. It also invites us to understand the complex history of women’s struggle in Iran—not as counterpoised to or lagging behind Western feminism, but rather on Iranian women’s own terms.</p>
<p>Indeed, this breathtaking moment builds on decades of feminist activism in Iran and underscores the significance of the women’s movement in the country in the decades following the revolution. The 1979 Iranian Revolution, sometimes referred to as the Islamic Revolution, was a broad-based movement against the corrupt dictatorship of the Shah Mohammed Reza Pahlavi, whose </p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/05/iran-new-revolutionary-figure-feminist/ideas/essay/">Iran’s New Revolutionary Figure Is Feminist</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<span class="trinityAudioPlaceholder"></span><br>
<p>The feminist uprising in Iran—sparked by the beating, arrest, and death in police custody of Mahsa (also known by Jîna) Amini, a young Kurdish Iranian woman accused of “improper hijab”—is generating previously unimagined ideas, images, and possibilities. The current movement, led by women and girls, has forced us all to rethink the glorified figure of the revolutionary as a militant, often militarized, and individual masculine subject. It also invites us to understand the complex history of women’s struggle in Iran—not as counterpoised to or lagging behind Western feminism, but rather on Iranian women’s own terms.</p>
<p>Indeed, this breathtaking moment builds on decades of feminist activism in Iran and underscores the significance of the women’s movement in the country in the decades following the revolution. The 1979 Iranian Revolution, sometimes referred to as the Islamic Revolution, was a broad-based movement against the corrupt dictatorship of the Shah Mohammed Reza Pahlavi, whose U.S.- and U.K.-backed rule had benefited a small and powerful elite and violently squashed dissent. The Shah implemented reforms in health, fertility, and education, but they helped primarily middle- and upper-class women. And so, the revolution captured the imagination and participation of many women, including those who were excluded from the Shah’s economic and social reforms—including rural, working-class, poor, and traditionally religious women.</p>
<p>The revolution also created a vast social welfare state with programs and services that dramatically increased literacy rates and life expectancy for women and men and increased the percentage of women in universities. Iranian birth rates also dropped drastically, by more than 70%—the average woman in the 1970s under the Shah gave birth seven times, a number that by 1985 had dropped to 5.6, and by 2000 had fallen to two. As the freedom of women’s and girls’ bodies is so central to this current uprising, it is critical to acknowledge that the post-revolutionary society invested in conditions that improved many women’s life chances, freeing them from poverty, illiteracy, inadequate healthcare, and lack of education. Nonetheless, these improvements were exacted at a very high cost for women: a discriminatory legal structure that legitimizes patriarchal control over and violence against women and girls.</p>
<p>In the late 20th and early 21st centuries, buoyed in part by their improved health and education, women mobilized to end the legal discrimination that was increasingly at odds with their growing social presence in Iranian society. Generally, an end to compulsory hijab has not been the central or most pressing issue around which feminists have organized. Rather, they’ve been compelled by issues like citizenship status, which until only recently was conferred through the father, rights in marriage and divorce, and custody of children, all of which seemed potentially winnable.</p>
<div class="pullquote">In the streets, schoolyards, universities, restaurants, shops, and homes of Iran, women and girls are demanding their freedom and autonomy and, in the process, creating relationships based on mutuality, solidarity, love, and care.</div>
<p>In 2006, following a demonstration in Haft-e Tir Square in Tehran, women activists launched the One Million Signatures Campaign, a local and transnational effort to end discriminatory laws against women, drawing on the unfulfilled promises of the revolution to grant women equality. The campaign sought to collect signatures from one million people in support of changing gender-based discrimination in Iran and demonstrating that these laws were not consistent with Islamic principles. The laws the campaign sought to challenge were mostly family laws pertaining to custody, marriage, inheritance, and divorce—in total 46 articles embedded in Iran’s Civil Code, 22 in the Penal Code, and one Constitutional article used to ban women from seeking the office of the president.</p>
<p>Activists went door to door to gather signatures, organized house meetings and public gatherings, and in general, built a movement based on collective participation and dialogue. In her book about the campaign, women’s rights activist and campaign co-founder Noushin Ahmadi Khorasani argued, “The power of the civil and democratic movement of the Iranian people must come not from blood, clenched fists, bulging veins, and zealous revenge-seeking, but rather from life-affirming endurance, persistence, and thoughtfulness.” Khorasani’s call for these last three traits challenges the ubiquitous figure of the charismatic and lone revolutionary male leader—for instance, Ayatollah Khomeini, who consolidated his power in and after the 1979 revolution and became, subsequently, Iran’s first Supreme Leader—offering instead a politics informed by feminist principles and organizational practices of collectivity, dialogue, and a deep embeddedness in the ordinary lives of people.</p>
<p>The campaign didn’t always succeed at being non-hierarchical—some campaigners received more attention and visibility than others, and class and ethnic divisions did emerge. Still, it was largely characterized by an emphasis on the importance and capacity of each participant, and an insistence on women’s rights as an integral component of Iran’s overall self-determination. Campaigners hoped to present the signatures to Parliament in the form of a bill, but ultimately they were unsuccessful at reaching the one million mark. Despite this shortcoming, the One Million Signatures Campaign and similar pragmatic efforts exerted sustained pressure on the state to address political demands for women’s rights. Moreover, they created organizational cultures based on deeply feminist visions of social change.</p>
<p>Khorasani and her fellow campaign activists also put forward an ethical, feminist, and everyday vision of Islam that stands in stark contrast to the state’s patriarchal interpretations of Islamic law. It is that vision that informs one of the many utterances of the present uprising: that compulsory hijab is un-Islamic, as is the state’s horrendous violence against women. As women in the current uprising defy compulsory hijab, they are not arguing against Islam, but against the conscription of their bodies into gender-differentiated regimes of power. They are making links to the bans on hijab in India and France, as well as to the bans on abortion in the United States. In this sense, they are challenging the binary between the “free” women of the West versus the “unfree” women of Iran, instead crafting transnational connections around the patriarchal and authoritarian attacks on women’s bodies.</p>
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<p>This legacy of feminist activism is woven through the current uprising, which also might well be the unfolding of a distinctly new kind of feminist revolution. In the streets, schoolyards, universities, restaurants, shops, and homes of Iran, women and girls are demanding their freedom and autonomy and, in the process, creating relationships based on mutuality, solidarity, love, and care. Unlike their predecessors, however, they are not interested in negotiating within the parameters set by a patriarchal authoritarian state. In the multiple and extraordinary acts of celebration and defiance—removing and burning hijabs, dancing in the streets, eating in restaurants without hijabs, graffitiing walls, kissing in public, creating art, singing, cutting hair, taping sanitary napkins over surveillance cameras—women and girls are occupying space with their bodies and creating a new world of political symbols, ideas, practices, and visions.</p>
<p>This is their moment, no longer deferred to a future that never comes. Whatever the outcome of this exquisite movement, the women and girls at its heart are the new revolutionary figures on the world stage, showing us all a different path forward.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/12/05/iran-new-revolutionary-figure-feminist/ideas/essay/">Iran’s New Revolutionary Figure Is Feminist</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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		<title>A Fragile Livelihood in Yemen</title>
		<link>https://legacy.zocalopublicsquare.org/2022/06/01/photojournalist-asmaa-waguih-yemen/viewings/glimpses/</link>
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		<pubDate>Wed, 01 Jun 2022 07:01:56 +0000</pubDate>
		<dc:creator>by Solomon Moore</dc:creator>
				<category><![CDATA[Glimpses]]></category>
		<category><![CDATA[famine]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Saudi Arabia]]></category>
		<category><![CDATA[United Nations]]></category>
		<category><![CDATA[war]]></category>
		<category><![CDATA[Yemen]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=128215</guid>
		<description><![CDATA[<p>Cairo-based photojournalist Asmaa Waguih has always felt a close connection to Yemen, her Red Sea neighbor. Her father was an Egyptian military officer who fought in the country for many years.</p>
<p>She has visited the country six times since 2016, reporting on the war there between its internationally recognized government, backed by Saudi Arabia and the United Arab Emirates, and the Houthi militia, a religious and political movement alleged to be receiving military support from Iran.</p>
<p>Recently, Waguih went back again.</p>
<p>She wound her way through both Sunni-dominated government-controlled territories and Shiite-aligned Houthi controlled areas. She arrived in Seiyun, in Yemen’s government-controlled eastern region, on February 25. From Seiyun, she travelled 30 hours by road to Sanaa, Yemen’s traditional capital in the Houthi-controlled north, then to Mocha, where she visited a large camp for internally displaced people, and finally another day’s drive to the government’s entrepot capital, Aden.</p>
<p>Along the </p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/06/01/photojournalist-asmaa-waguih-yemen/viewings/glimpses/">A Fragile Livelihood in Yemen</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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				<content:encoded><![CDATA[<p>Cairo-based photojournalist Asmaa Waguih has always felt a close connection to Yemen, her Red Sea neighbor. Her father was an Egyptian military officer who fought in the country for many years.</p>
<p>She has visited the country six times since 2016, reporting on the war there between its internationally recognized government, backed by Saudi Arabia and the United Arab Emirates, and the Houthi militia, a religious and political movement alleged to be receiving military support from Iran.</p>
<p>Recently, Waguih went back again.</p>
<p>She wound her way through both Sunni-dominated government-controlled territories and Shiite-aligned Houthi controlled areas. She arrived in Seiyun, in Yemen’s government-controlled eastern region, on February 25. From Seiyun, she travelled 30 hours by road to Sanaa, Yemen’s traditional capital in the Houthi-controlled north, then to Mocha, where she visited a large camp for internally displaced people, and finally another day’s drive to the government’s entrepot capital, Aden.</p>
<p>Along the way she passed clusters of settlements across Yemen’s mountainous arid terrain, each distinguished by an array of hillside towers, archways, rainbow-colored windows, and earthen walls. Yemen is a landscape of small towns, villages, and a few larger cities, mainly along its coast. Roads across its desert expanses are often unpaved and remote. Waguih travelled in crowded, unreliable mini-buses.</p>
<p>Throughout her journey, she saw the impact of war and the fractured movement of civilians and goods. In much of the country, life carries on—fishermen cast their lines, bookstores sell their tomes, devotees go to mosque. But everything is under threat, anything that still works is fragile. And there are pockets of immense suffering.</p>
<p>Yemen is facing a humanitarian <a href="https://reliefweb.int/report/yemen/yemen-humanitarian-response-plan-2022-april-2022">disaster.</a> More than <a href="https://www.ye.undp.org/content/yemen/en/home/library/assessing-the-impact-of-war-in-yemen--pathways-for-recovery.html">377,000</a> deaths are attributed to the conflict, including 150,000 people who died as a direct result of military actions. Yemen’s people are starving. The <a href="https://news.un.org/en/story/2022/04/1117332">United Nations is seeking $4.3 billion</a> to stave off hunger and disease for an estimated 23 million people—nearly three-quarters of the population, including 2.2 million acutely malnourished children. Yemen imports nearly all its provisions; Ukraine and Russia supply 40 percent of its wheat. Food prices have risen approximately 150 percent since the invasion of Ukraine, according to the International Committee of the Red Cross.</p>
<div class="pullquote">In much of the country, life carries on—fishermen cast their lines, bookstores sell their tomes, devotees go to mosque. But everything is under threat, anything that still works is fragile.</div>
<p>Despite the staggering scale of the seven-year catastrophe, Western news media describes the conflict (when it describes it at all) as a “<a href="https://abcnews.go.com/International/forgotten-war-yemen-country-verge-man-made-famine/story?id=54015153">forgotten</a>” or an “<a href="https://www.nytimes.com/interactive/2018/10/20/world/middleeast/saudi-arabia-invisible-war-yemen.html">invisible war</a>,” tropes used to justify Western neglect of complex intrastate or proxy conflicts, particularly in Africa and the Middle East.</p>
<p>So deep are divisions between the warring parties that each runs its own fiscal and administrative systems. Waguih had to carry two sets of Yemeni banknotes, or rials. Older and newer bills have different values, exacerbating runaway inflation.</p>
<p>In Yemen, women are rarely seen in public without a full abaya or burqa. The fact that Waguih is a journalist and an outsider afforded her more freedom than most Yemeni women enjoy. Even still, her movements were always negotiated. In Houthi areas evening trips to convenience stores and restaurants were accompanied by a Houthi agent.</p>
<p>Waguih visited Sanaa’s largest orphanage and hospital, a fuel station, a bank, and other businesses and institutions in the city’s UNESCO World Heritage-listed old city to gauge the war’s impact.</p>
<p>“Yemen is a place where it is very difficult to see actual conflict but impossible not to see its effects everywhere,” she said. “You will see, for example, a building that has been destroyed, and you don’t know how long it has been that way. Maybe it was recently. Maybe it was 10 or 20 years ago.”</p>
<p>There was no difference, she said, between the destruction she saw in government-controlled areas and that in Houthi areas. During her previous trips, she said, violence seemed to be localized around particular areas. Now, due to an estimated 25,000 air raids, Yemen’s ruined <a href="https://www.researchgate.net/profile/Jeannie-Sowers/publication/348455746_Humanitarian_challenges_and_the_targeting_of_civilian_infrastructure_in_the_Yemen_war/links/600d91a0299bf14088bc3d19/Humanitarian-challenges-and-the-targeting-of-civilian-infrastructure-in-the-Yemen-war.pdf">infrastructure</a> is highly distributed.</p>
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<p>And everywhere, Waguih said, from the streets in Sanaa to Yemen’s squalid camps for the internally displaced, she gazed upon the gaunt face of hunger.</p>
<p>There are some developments toward peace. The internationally-recognized government and the Houthis announced a two-month ceasefire in April, to coincide with the holy month of Ramadan. Many hope the truce will allow all sides to consider proposals for a permanent end to the war.</p>
<p>Nations at war are also nations at work, at school, at play, at rest—at all the places that make up daily life. War often occurs in places with vitality enough to sustain many years of degradation. Waguih’s photos show everyday reality in a nation experiencing one of the world’s longest running wars. The conflict may not be visible in every frame but it infuses all of the images.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2022/06/01/photojournalist-asmaa-waguih-yemen/viewings/glimpses/">A Fragile Livelihood in Yemen</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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		<title>Can Iran&#8217;s Islamic Republic No Longer Depend on Its Diehard Backers?</title>
		<link>https://legacy.zocalopublicsquare.org/2018/04/24/can-irans-islamic-republic-no-longer-depend-diehard-backers/ideas/essay/</link>
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		<pubDate>Tue, 24 Apr 2018 07:01:08 +0000</pubDate>
		<dc:creator>By Nazila Fathi</dc:creator>
				<category><![CDATA[Essay]]></category>
		<category><![CDATA[democracy]]></category>
		<category><![CDATA[economy]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[Islam Republic]]></category>
		<category><![CDATA[Middle East]]></category>
		<category><![CDATA[prosperity]]></category>
		<category><![CDATA[protest]]></category>

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		<description><![CDATA[<p>In the early weeks of 2018, protests swept through the small towns of Iran, mobilizing angry voices among the disgruntled lower rung of society. Demonstrators marched in the streets and assembled in major squares, chanting slogans against the country’s theocracy. Meanwhile, large cities, where some of the largest anti-regime demonstrations previously had taken place, remained relatively quiet. </p>
<p>Though this year’s demonstrations have received less global coverage than earlier ones, this latest round may well be more significant: They show support for the government crumbling in the rural, poor base that made the revolution possible and has allowed its adherents to stay securely in power ever since. </p>
<p>As a correspondent for <i>The New York Times</i>, I covered dozens of anti-regime protests since the late 1990s in large cities around the country. They became an outlet for people to express their frustration at the regime’s oppressive policies. Over the years, the </p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2018/04/24/can-irans-islamic-republic-no-longer-depend-diehard-backers/ideas/essay/">Can Iran&#8217;s Islamic Republic No Longer Depend on Its Diehard Backers?</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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				<content:encoded><![CDATA[<p>In the early weeks of 2018, protests swept through the small towns of Iran, mobilizing angry voices among the disgruntled lower rung of society. Demonstrators marched in the streets and assembled in major squares, chanting slogans against the country’s theocracy. Meanwhile, large cities, where some of the largest anti-regime demonstrations previously had taken place, remained relatively quiet. </p>
<p>Though this year’s demonstrations have received less global coverage than earlier ones, this latest round may well be more significant: They show support for the government crumbling in the rural, poor base that made the revolution possible and has allowed its adherents to stay securely in power ever since. </p>
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<p>As a correspondent for <i>The New York Times</i>, I covered dozens of anti-regime protests since the late 1990s in large cities around the country. They became an outlet for people to express their frustration at the regime’s oppressive policies. Over the years, the demonstrations became bigger, culminating in the massive protests of 2009, when hundreds of thousands of people marched in the streets for six months over what they believed was an election stolen by then-President Mahmoud Ahamdinejad.</p>
<p>In response, the government deployed loyal supporters from rural areas, equipping them with clubs and truncheons to beat the protesters. In 2009, some of the fighters looked so provincial that rumors spread they were mercenaries, especially because of the violence they used against demonstrators. Nearly 100 protesters were killed.</p>
<p>That year, I was forced to leave the country after my house came under surveillance and I received death threats for covering the unrest. </p>
<p>Over the last few months, the protesters I&#8217;ve seen in video clips are angrier than the ones I encountered in large cities nine years ago. These new protesters, despite being better educated than their parents, remain unemployed. One source has told me that the youth in smaller towns are no longer drawn to the government militia force because of the notoriety that clung to it after the bloody crackdown of 2009. </p>
<p>The recent protests began as a relatively small venture on December 28, 2017 in the north-eastern city of Mashhad, Iran&#8217;s second-largest city. The initial protest expressed anger over the economy and the skyrocketing prices of necessities like eggs and poultry. Prices of basic goods had increased by roughly 40 percent in the previous year, according to official sources </p>
<p>But the demonstrations quickly grew and moved to other cities, and targeted politicians as well. Calls were made for an end to the regime, and for the country&#8217;s supreme leader, Ayatollah Ali Khamenei, to step down. Angry protesters set fire to police stations and attacked paramilitary bases. Newspapers covered the protests and debated what triggered them. The local daily <i>Javan</i< wrote that the slogans suggested “a deep anger and hatred” among the protesters. <a href=https://www.cnn.com/2018/01/09/middleeast/iran-protests-3700-arrested-intl/index.html>Some 3,700 people</a> were arrested, and at least <a href=http://www.businessinsider.com/at-least-20-people-are-dead-in-irans-bloody-week-of-protests-2018-1>21 people</a> were killed during demonstrations, including an 11-year-old boy.</p>
<p>The reasons protesters gave for their anger included the rampant cronyism in the upper echelons of society, as well as stifling class inequality that has widened since the election of President Mahmoud Ahmadinejad in 2005. The 2015 lifting of economic sanctions with the West also has disappointed many people. Urban areas got a few benefits, but small towns had not witnessed the ripple effects of growth. Instead, the high unemployment rates, inflation, and corruption that began under President Ahmadinejad have lingered. </p>
<p>This new younger movement, unlike previous demonstrations, appeared leaderless and without a clear agenda. But the protesters were equipped with smartphones and had the ability to organize and communicate with one another. Some 48 million Iranians (more than half the country&#8217;s population) have smartphones and are online. Technology helped the protests spread quickly to almost every province, including some 100 cities and remote areas, where protests against the state had not been seen since 1979.</p>
<div class="pullquote">When the next crisis comes, it’s not clear the regime will be able to depend on its once-diehard supporters.</div>
<p>The protests emerged after President Hassan Rouhani released the details of his budget proposal for the Iranian fiscal year starting March 21. The budget envisioned steep cuts in cash subsidies to the poor, while increasing fees for foreign travel and services like vehicle registration. In a canny move, he also made public the amount of funding allocated to Iran’s wealthy religious foundations—as well as its powerful military and the paramilitary forces loyal to the regime. Rouhani said it was a step forward for transparency, but the revelations went viral on social media and angered many Iranians. The disclosure of an $8 billion budget for the Revolutionary Guard Corps, Iran’s most influential security force, prompted sharp criticism from protesters. They objected to government spending on Iranian involvement in regional wars, including those in Iraq and Syria, instead of funding projects that could create jobs at home.</p>
<p>Religious foundations, many of which are tax-exempt, also got a boost in the new budget, including a 20 percent increase for representatives of the supreme leader who are posted at Iran’s universities. These organizations, which are under the direct supervision of Khamenei’s office, are also linked to some of the financial institutions that have announced bankruptcy over the last year and depleted Iranians’ savings, sparking public rage.</p>
<p>While the supreme leader, Ayatollah Khamenei, who was the target of the most hateful slogans, blamed the protests on “enemies” (a reference to the United States and Israel), President Rouhani acknowledged young people were unhappy about far more than just the economy. “It would be a misrepresentation (of events) and also an insult to Iranian people to say they only had economic demands,” <a href=https://www.reuters.com/article/us-iran-rallies-rouhani/in-jab-at-rivals-rouhani-says-iran-protests-about-more-than-economy-idUSKBN1EX0S9>Rouhani said</a>. “People had economic, political and social demands,” a reference to the pressures his political opponents impose to keep their grip on society.</p>
<p>The government launched a clampdown in large cities, arresting hundreds of activists, including a group of environmentalists. One university professor, Kavous Seyed-Emami, was said to have died in prison. Authorities claimed that he committed suicide, but did not permit an independent autopsy, spurring speculation about torture. <a href=https://www.amnesty.org/en/latest/news/2018/01/iran-investigate-reports-of-protester-deaths-in-custody/>Four others have died</a> in custody over the last three months. </p>
<p>But in smaller towns, the regime has refrained from deploying its fearsome paramilitary troops that are commonly used to repress protests. Isolated clashes between police and protesters have broken out, but there was no evidence to suggest a comprehensive effort to end the protest movement by force. The Revolutionary Guard, the country’s elite armed forces, largely stayed away from these areas, perhaps to avoid further alienating the residents. </p>
<p>Though these demonstrations seem unlikely to pose an existential threat to the established order, they will shift perceptions of the country’s grassroots. In times of adversity, the Islamic Republic has always banked on the enthusiastic support of the working classes. When the next crisis comes, it’s not clear the regime will be able to depend on its once-diehard supporters. </p>
<p>It might have to start addressing popular demands rather than crushing them. </p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2018/04/24/can-irans-islamic-republic-no-longer-depend-diehard-backers/ideas/essay/">Can Iran&#8217;s Islamic Republic No Longer Depend on Its Diehard Backers?</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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		<title>How Iranian Women Turn &#8220;Pious Fashion&#8221; Into Under-the-Radar Dissent</title>
		<link>https://legacy.zocalopublicsquare.org/2018/02/14/iranian-women-turn-pious-fashion-radar-dissent/ideas/essay/</link>
		<comments>https://legacy.zocalopublicsquare.org/2018/02/14/iranian-women-turn-pious-fashion-radar-dissent/ideas/essay/#respond</comments>
		<pubDate>Wed, 14 Feb 2018 08:01:59 +0000</pubDate>
		<dc:creator>By Elizabeth Bucar</dc:creator>
				<category><![CDATA[Essay]]></category>
		<category><![CDATA[Dissent]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[Middle East]]></category>
		<category><![CDATA[Piety]]></category>
		<category><![CDATA[religion]]></category>
		<category><![CDATA[women's rights]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=91214</guid>
		<description><![CDATA[<p>In 2018, Islamic clothing is officially cool. CoverGirl has a hijabi ambassador. H&#038;M sells a popular modest clothing line. Even Barbie wears a headscarf on a doll modeled after the American fencer Ibtihaj Muhammad.</p>
<p>Despite this cool factor, Islamic women’s headscarves and clothing retain strong associations with piety and politics, symbolism that is wielded both by the woman in the clothes and the people around her. In countries where Muslims are minorities, as in the United States, merely wearing <i>hijab</i> is seen as a political act, albeit one that can be interpreted in many ways. Shepard Fairey created an image of a woman wearing a flag <i>hijab</i> as a sign of tolerance and inclusivity, while others claim that the scarf is a sign of Muslim women’s repression. </p>
<p>In Muslim-majority countries, however, the symbolism—and the way that women and the state both use <i>hijab</i> to express ideas—is deeper and more interesting. </p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2018/02/14/iranian-women-turn-pious-fashion-radar-dissent/ideas/essay/">How Iranian Women Turn &#8220;Pious Fashion&#8221; Into Under-the-Radar Dissent</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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				<content:encoded><![CDATA[<p>In 2018, Islamic clothing is officially cool. CoverGirl has a hijabi ambassador. H&#038;M sells a popular modest clothing line. Even Barbie wears a headscarf on a doll modeled after the American fencer Ibtihaj Muhammad.</p>
<p>Despite this cool factor, Islamic women’s headscarves and clothing retain strong associations with piety and politics, symbolism that is wielded both by the woman in the clothes and the people around her. In countries where Muslims are minorities, as in the United States, merely wearing <i>hijab</i> is seen as a political act, albeit one that can be interpreted in many ways. Shepard Fairey created an image of a woman wearing a flag <i>hijab</i> as a sign of tolerance and inclusivity, while others claim that the scarf is a sign of Muslim women’s repression. </p>
<p>In Muslim-majority countries, however, the symbolism—and the way that women and the state both use <i>hijab</i> to express ideas—is deeper and more interesting. Rather than arguing about whether or not Muslim women should dress modestly, I study <i>how</i> Muslim women dress: what they are wearing and why, and how they use fashion to exert political influence.</p>
<p>Muslim-majority countries have a history of regulating women&#8217;s clothing through official dress codes, whether banning headscarves or requiring them. In Iran, for instance, Muslim women’s dress was a political matter long before it became the symbol of revolution in 1979. The shah banned the full-body covering called <i>chador</i> in 1936 as part of his attempt to undermine the authority of the Shia clerics and westernize Iranian women. </p>
<p>Now, of course, Islamic clothing is required for women in Iran by law. Drafted under Ayatollah Ruhollah Khomeini’s leadership as part of his vision for a public space governed by the principles of Islamic morality, these laws include harsh punishments for inadequate <i>hijab</i>—jail time, fines, even 74 lashes with a whip. Harassment and arrests for violations became commonplace after the revolution. </p>
<p>Despite conditions of discrimination—because requiring a headscarf and modest clothing <i>is</i> discriminatory—pious fashion comes in a remarkable range of styles in Tehran. One option is to wear the floor-length <i>chador</i> draped over the hair and shoulders. The alternative to <i>chador</i> is a coat-like <i>manteaux</i> with some sort of head covering. There are two popular head coverings to pair with a <i>manteaux</i>. One is a sort of balaclava, called a <i>maghneh</i>. But the fashionable women of Tehran wear a <i>rusari</i>—a scarf covering the head and knotted under the chin or wrapped around the neck, personalized by fabric, color, pattern, and style of drape.</p>
<div id="attachment_91223" style="width: 385px" class="wp-caption alignleft"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-91223" src="https://legacy.zocalopublicsquare.org/wp-content/uploads/2018/02/IRAN-photo-1-e1518550837292.jpg" alt="" width="375" height="555" class="size-full wp-image-91223" /><p id="caption-attachment-91223" class="wp-caption-text">In this urban casual look, the hardware on the Dr. Martens boots echoes the studs on the Valentino crossbody bag. The Topshop floral leggings are the stand-out item, made even cooler by being paired with utilitarian items like a black scarf and a military jacket. The graffiti in the background is of a dish-soap bottle. <span>Photo courtesy of Anita Sepehry/the Tehran Times fashion blog.<span></p></div>
<p>Though these items represent the building blocks of modest garb, they do not define its expression. Women define what pious fashion looks like when they get dressed every morning—whether they wear structured separates accessorized with designer sunglasses, flowy pastel chiffons embellished with rhinestones, or ripped jeans tucked into combat boots. On the streets of Tehran, in its cafés and places of business, women find ways to use their clothing to make claims about what counts not only as fashion, but also as piety.</p>
<p>Within a regime that has attempted for decades to promote dress codes as a way to craft particular types of Muslim citizens, and in which direct political resistance is dangerous, clothing has become a form of political engagement that is potentially powerful because it can sometimes slide under the radar as a matter of culture versus statecraft. </p>
<p>What sort of power can modest clothing choices have? For one, dress becomes a way to access governmental office. Women hold numerous advisory roles in government. <i>Chador</i> is a requirement of appointment to these positions. But this limitation also creates an opportunity. Women can take advantage of the symbolic meaning of the <i>chador</i> to mark themselves as supporters of the theocracy, independent of their actual political views. </p>
<p>Then there is a more recent popular style integrating traditional motifs and embroidery that is Kurdish, Turkoman, or Indian. Called <i>lebase mahali</i>, which means “local clothing” in Persian, it does not push the boundaries of modesty. But it does something else: It highlights Persian and Asian aesthetics over Islamic and Arabic ones. This Persian ethnic chic undermines current Islamic authority, sometimes unintentionally, simply because it draws on sources of authority that predate the Islamization of Iran.</p>
<p>This power to critique through sartorial choice comes with substantial risk. Since clothing is so strongly linked to character, a bad outfit can be seen as a reflection of poor character. In Iran, there is even a term for this: <i>bad hijab. Bad hijab</i> can be both an ethical failure (too sexy) and an aesthetic failure (not tasteful). It’s a concern of the authorities because <i>bad hijab</i> disrupts the public Islamic space that Iranian theocracy tries to create. </p>
<p>The infamous morality police have often targeted women for what they deem <i>bad hijab</i>, but they are not the only ones. In fact the first time I noticed it was while shopping with my Iranian friend Homa. “Liz, this is a good example of <i>bad hijab</i> for you,” she said when a young woman walked by. Homa was quite happy to elaborate: “Her ankles are showing, her pants are rolled up, they are made of denim and tight. Her <i>manteaux</i> is short, slit up the side, tight, made of thin material, and exposes the back of her neck and her throat. And her <i>rusari</i>, look at her <i>rusari</i>. It is folded in half so that her hair sticks out in front and back and tied so loosely that we can see all her jewelry. Plus, her makeup is caked on.” </p>
<div id="attachment_91224" style="width: 385px" class="wp-caption alignright"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-91224" src="https://legacy.zocalopublicsquare.org/wp-content/uploads/2018/02/Iran-Photo-2-e1518550971177.jpg" alt="" width="375" height="469" class="size-full wp-image-91224" /><p id="caption-attachment-91224" class="wp-caption-text">This outfit is a glam version of edgy <i>hijab</i>. The Alexander McQueen-style skull-patterned scarf, fur vest, and Givenchy Rottweiler print clutch give the woman a rock vibe. <span>Photo courtesy of Donya Joshani/the Tehran Times fashion blog.<span></p></div>
<p>Homa’s determination of <i>bad hijab</i> was based on a number of perceived violations. The first problem was that the woman’s outfit exposed parts of her body legally required to be covered. Homa also disapproved of the woman’s jeans—reflecting a widely held opinion in Iran that denim is improper for women to wear for both aesthetic reasons (as a fabric that is too casual) and political reasons (as a Western fabric that might infect the subject with Western ideas). </p>
<p>Homa spent considerable time describing for me why this woman’s <i>rusari</i> was inadequate. In this case, the violation depended in part on the scarf’s gauzy material, which was translucent. The way the scarf was worn was also a problem: By folding the <i>rusari</i> in half lengthwise, the woman only covered half as much hair as normal. Homa had also judged the woman’s heavy hand with makeup a <i>hijab</i> “failure” because it made her appear more alluring to the opposite sex.</p>
<p>Why so catty? Of course women, even pious ones, can be hard on one other, but there is more to learn from Homa’s reaction. Accusation of <i>bad hijab</i> is an expression of her own concern over sartorial practice. Pious fashion creates aesthetic and moral anxiety. Am I doing it right? Do I look modest? Professional? Stylish? Feminine? Women try to resolve this anxiety by identifying who is doing it wrong. Improper pious fashion is what allows proper pious fashion to redefine itself away from stigma to style: If this mystery woman was wearing <i>bad hijab</i> then surely Homa was a sartorial success. </p>
<p>Homa’s accusation of <i>bad hijab</i> might have helped legitimate her own clothing choices, but it came at a cost. Public shaming of Muslim women’s dress relies on a specific ideology of how women should appear in public, and women themselves are not exempt from promoting this aspect of patriarchy. By policing other women, they accommodate existing ideology to improve their own status.</p>
<p>At the same time, <i>bad hijab</i> is politically potent because it can shift the boundaries of successful pious fashion, sometimes expanding those boundaries, sometimes narrowing them. Homa might have been outraged by what this mystery woman was wearing, but she was violating some of the very same norms: Her own ankles were showing, her hair peeked out from her scarf, she had on foundation, eyeliner, and mascara. </p>
<p>And when everyone is showing her ankles and painting her toes, it sends a very personal signal about how the state’s power to define women’s morality is declining. What are my friends wearing? What are designers producing? What are bloggers posting? These are the sorts of things that influence what Iranian women wear, not only the threat of police surveillance and arrest. Besides, there are not enough police in Tehran on a hot summer day to arrest every young woman wearing capris.</p>
<p>In a surprise public statement last December, Brigadier General Hossein Rahimi, head of Greater Tehran police, admitted as much. He announced that women who are found to be wearing <i>bad hijab</i> will no longer be arrested, but instead sent to morality classes. It is too soon to say if this is a clear sign of a shift in Iranian politics. But if this does signal a positive change, credit goes to women’s sartorial savvy, not the police. And to the public who would undoubtedly react if everyone wearing nail polish was administered the 74 lashes permitted in the penal code.</p>
<p>In recent weeks a few Iranian women have protested the forced dress code directly. They stand on top of utility boxes, take off their headscarves, and wave them on sticks. These protests have resulted in dozens of arrests, proving that in the current political climate <i>bad hijab</i> might be tolerated, but <i>no hijab</i> is going too far. Images of these protests on Twitter include women in full <i>chador</i> waving headscarves in solidarity. This is a good reminder that it is not the wearing of <i>hijab</i> that Iranian women oppose, but rather the government’s attempt to police their bodies. The protesters and the Iranian authorities agree on at least one thing: what women wear matters. </p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2018/02/14/iranian-women-turn-pious-fashion-radar-dissent/ideas/essay/">How Iranian Women Turn &#8220;Pious Fashion&#8221; Into Under-the-Radar Dissent</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
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