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	<title>Zócalo Public SquareRandy Cauthen &#8211; Zócalo Public Square</title>
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	<description>Ideas Journalism With a Head and a Heart</description>
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		<title>Second Person Plural</title>
		<link>https://legacy.zocalopublicsquare.org/2013/05/24/second-person-plural/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2013/05/24/second-person-plural/chronicles/poetry/#respond</comments>
		<pubDate>Fri, 24 May 2013 07:01:57 +0000</pubDate>
		<dc:creator>by Randy Cauthen</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[loneliness]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[Randy Cauthen]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=48106</guid>
		<description><![CDATA[<p>A man lives in an old house converted to apartments.<br />
There is still a servants’ staircase, but now it<br />
leads to a blank wall. And the walls are paper,<br />
the ceilings must be crepe paper: every night<br />
the man hears his upstairs neighbor getting it<br />
from somebody, hears her gasping, even hears<br />
her bed squeaking. Midnight, 2 a.m., he gapes<br />
at the ceiling, he almost expects to see<br />
their fluids come suffusing down through<br />
the crepe paper, enough to put out the cigarette<br />
he’s smoking. How they go at it, and how<br />
he admires them: they must know he can hear,<br />
because they must have heard him cursing when he<br />
cracked his shin on the bedpost, they must have heard<br />
him practice his bass. He’s even thought of<br />
serenading them, up through the old ceiling<br />
of the old house, but finally decides not<br />
to complicate matters. And soon his upstairs</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2013/05/24/second-person-plural/chronicles/poetry/">Second Person Plural</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>A man lives in an old house converted to apartments.<br />
There is still a servants’ staircase, but now it<br />
leads to a blank wall. And the walls are paper,<br />
the ceilings must be crepe paper: every night<br />
the man hears his upstairs neighbor getting it<br />
from somebody, hears her gasping, even hears<br />
her bed squeaking. Midnight, 2 a.m., he gapes<br />
at the ceiling, he almost expects to see<br />
their fluids come suffusing down through<br />
the crepe paper, enough to put out the cigarette<br />
he’s smoking. How they go at it, and how<br />
he admires them: they must know he can hear,<br />
because they must have heard him cursing when he<br />
cracked his shin on the bedpost, they must have heard<br />
him practice his bass. He’s even thought of<br />
serenading them, up through the old ceiling<br />
of the old house, but finally decides not<br />
to complicate matters. And soon his upstairs<br />
neighbor moves to another state, another<br />
woman replaces her. This new woman has<br />
no lover, all that comes through the ceiling now<br />
is her footsteps and old delta blues, but<br />
every so often at night he hears her cough, not<br />
a smoker’s hack like his own, but a quick<br />
bark, almost like she’s embarrassed. Well, he thinks,<br />
who can blame her with all that old sex<br />
drifting around up there? He imagines her<br />
bolstered up with pillows reading a novel<br />
with the word <em>love</em> in the title. Again he<br />
believes he should play, really shake the old place<br />
so she’ll feel it in her spine, but knows<br />
it will only turn out he won’t be able to say<br />
good morning to her when they meet picking<br />
up the paper. Every night he lies in bed<br />
thinking about these women, the one<br />
loud with her lover, the other holding her<br />
loose fist to her mouth to cough. Which one<br />
makes him feel sadder? It is impossible to say.<br />
He wishes them well, he is embarrassed by<br />
both of them, by himself. In fact, the only<br />
thing he can think of that isn’t embarrassing is<br />
the people who built the now ramshackle<br />
house, the mild pranks the children must have played<br />
on the servants. Maybe the ghosts of children<br />
share his room, maybe they grew up and moved<br />
away, or they may be together still, down<br />
at the wealthy cemetery. The servants<br />
ascend the staircase, up through the paper wall.</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2013/05/24/second-person-plural/chronicles/poetry/">Second Person Plural</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Night</title>
		<link>https://legacy.zocalopublicsquare.org/2013/01/25/night/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2013/01/25/night/chronicles/poetry/#respond</comments>
		<pubDate>Fri, 25 Jan 2013 08:01:01 +0000</pubDate>
		<dc:creator>by Randy Cauthen</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[Randy Cauthen]]></category>

		<guid isPermaLink="false">https://legacy.zocalopublicsquare.org/?p=44269</guid>
		<description><![CDATA[<p>the old woman<br />
rocks that boy<br />
just as she had<br />
his father before him<br />
rocks him while he’s crying<br />
his arm round her neck<br />
eyes clenched but<br />
loose enough<br />
to let the tears past<br />
rocks him rocks him<br />
her eyes tracing the same line<br />
up and down the far wall<br />
rocks him as he’s yawning<br />
with his face pressed<br />
to her shoulder rocks him<br />
till he falls asleep standing up<br />
then she can stand up herself<br />
and go to lay him down<br />
just as she had<br />
just as she had<br />
his father before him</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2013/01/25/night/chronicles/poetry/">Night</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>the old woman<br />
rocks that boy<br />
just as she had<br />
his father before him<br />
rocks him while he’s crying<br />
his arm round her neck<br />
eyes clenched but<br />
loose enough<br />
to let the tears past<br />
rocks him rocks him<br />
her eyes tracing the same line<br />
up and down the far wall<br />
rocks him as he’s yawning<br />
with his face pressed<br />
to her shoulder rocks him<br />
till he falls asleep standing up<br />
then she can stand up herself<br />
and go to lay him down<br />
just as she had<br />
just as she had<br />
his father before him</p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2013/01/25/night/chronicles/poetry/">Night</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></content:encoded>
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		<item>
		<title>I Saw Death on the Third Street Promenade</title>
		<link>https://legacy.zocalopublicsquare.org/2012/06/07/i-saw-death-on-the-third-street-promenade/chronicles/poetry/</link>
		<comments>https://legacy.zocalopublicsquare.org/2012/06/07/i-saw-death-on-the-third-street-promenade/chronicles/poetry/#respond</comments>
		<pubDate>Fri, 08 Jun 2012 06:14:42 +0000</pubDate>
		<dc:creator>by Randy Cauthen</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Randy Cauthen]]></category>

		<guid isPermaLink="false">http://zocalopublicsquare.org/thepublicsquare/?p=33083</guid>
		<description><![CDATA[<p>wearing a creamcolor suit and</p>
<p>muttering at his blackberry and<br />
eating a five-dollar widget of chocolate<br />
with shades on to keep from meeting<br />
the homeless veterans’ eyes</p>
<p>once I saw him once<br />
I started recognizing him<br />
everywhere I went</p>
<p>saw him at Washington Mutual at the ATM<br />
Death goes to the same bank I do</p>
<p>saw him exchanging jokes<br />
with the ex-SAVAK agents<br />
at the Coffee Bean in Tehrangeles<br />
he had four espressos</p>
<p>I saw Death in Sam’s bookstore<br />
leafing through Gibbon<br />
Death licks his finger to turn the page<br />
then doesn’t buy the book<br />
the bastard<br />
I should read Gibbon</p>
<p>I saw Death in Ocean Park<br />
ogling the coeds in their one-pieces<br />
well ogling everybody<br />
including me<br />
that’s what bad taste Death has</p>
<p><em>Randy Cauthen is Associate Professor of English and Poet in Residence at Cal State, Dominguez Hills. His books are </em>The Use of Force<em> (poems), </em>Black Letters: </p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2012/06/07/i-saw-death-on-the-third-street-promenade/chronicles/poetry/">I Saw Death on the Third Street Promenade</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p>wearing a creamcolor suit and</p>
<p>muttering at his blackberry and<br />
eating a five-dollar widget of chocolate<br />
with shades on to keep from meeting<br />
the homeless veterans’ eyes</p>
<p>once I saw him once<br />
I started recognizing him<br />
everywhere I went</p>
<p>saw him at Washington Mutual at the ATM<br />
Death goes to the same bank I do</p>
<p>saw him exchanging jokes<br />
with the ex-SAVAK agents<br />
at the Coffee Bean in Tehrangeles<br />
he had four espressos</p>
<p>I saw Death in Sam’s bookstore<br />
leafing through Gibbon<br />
Death licks his finger to turn the page<br />
then doesn’t buy the book<br />
the bastard<br />
I should read Gibbon</p>
<p>I saw Death in Ocean Park<br />
ogling the coeds in their one-pieces<br />
well ogling everybody<br />
including me<br />
that’s what bad taste Death has</p>
<p><em><strong>Randy Cauthen</strong> is Associate Professor of English and Poet in Residence at Cal State, Dominguez Hills. His books are </em>The Use of Force<em> (poems), </em>Black Letters: An Ethnography of Legal Writing<em>, and a forthcoming book of poems he has not figured out what to call. As an actor, he has appeared in the World Premiere of Samuel Beckett’s </em>Radio One<em>. Originally from Charleston, South Carolina, he now lives in Los Angeles.</em></p>
<p><em>*Photo courtesy of <a href="http://www.flickr.com/photos/kkanouse/366816426/">Snap Man</a>.</em></p>
<p>The post <a rel="nofollow" href="https://legacy.zocalopublicsquare.org/2012/06/07/i-saw-death-on-the-third-street-promenade/chronicles/poetry/">I Saw Death on the Third Street Promenade</a> appeared first on <a rel="nofollow" href="https://legacy.zocalopublicsquare.org">Zócalo Public Square</a>.</p>
]]></content:encoded>
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